Tagged: wool

Nov 12

Scrap of the week #25

 

These deliciously vibrant wool and silk Wallace Sewell ribbon-like woven trimmings were being sold on the Ray Stitch stall at the Selvedge Winter Fair at the weekend. I see that you can buy them on the Ray Stitch website too (though I got a better deal at the Selvedge fair – another good excuse to go next time, should you need one!).

Wallace Sewell ribbon trims

 

There’s so much you could do with these strips. I can see them gathered simply along their length to create elegant ruffles, or knife-pleated. They could be applied to a cushion, or the front of a jacket.  Or turned into corsages, or buttons. The zingy colours are so rich that a little goes a long way, so I’d like to try cutting some  of the silk ones into short lengths as tabs or tags, or jewel-like visible mending patches, making a prominent feature of their frayed edges. Or I could just wrap them around the gifts of fortunate friends.

Wallace Sewell woven strips

 

And what would you do with them?

 

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Apr 11

Wonderwool

Last week I received an offer I couldn’t refuse: a free ticket for Wonderwool Wales at the Royal Welsh Showground, Builth Wells. Celebrating almost everything associated with a sheep and its clothing, Wonderwool looked like a golden opportunity for me to turn roving reporter*. Everything was included, even transport. So, bright and early Saturday morning I set off on the coach carrying much of the Wiltshire Guild of Weavers, Spinners & Dyers.

And what a day we had! Longish outward journey [meh], the final third spent hurtling at improbable speed down twisting, terrifyingly narrow Welsh lanes [double meh]. I should really have known by the name that all the roads that lead you there are winding. But it was a tonic to see Wales in the radiant spring sunshine since I usually visit in near-horizontal rain. This was just like the tourist brochures: white cottages edged in black nestling at the foot of brooding mountains, quaint stone bridges (which the coach only just managed to negotiate) arching over sparkling stone-strewn river beds, and plenty of nodding daffodils. It was a relief to finally arrive  mid-morning, with fatigue and slight travel-sickness rapidly subsiding and excitement kicking in.

Wonderwool vista

Half barn, half textile show

The venue was no-frills but spacious. And, yes, true to its billing, the whole place was woolly, even the  information point.

Information Desk

Woolly thinkers welcome

I soaked it all up: stall upon stall of fleeces,  in varying stages of refinement; big bags of roving; carding equipment; drop spindles; spinning wheels; felting supplies; dyeing products; yarn of all types (plain for home-dyeing, or coloured variously as the rainbow); knitting needles; crochet hooks; buttons (outsized wooden, ceramic, vintage); blankets, blankets, and more blankets.  Refreshingly, there were signs urging ‘Please touch!’

Please touch!

Double-take signage

One stall was devoted to all varieties of guernsey knitting, with cute little knitted samples. Every pattern tells a story.

Guernseys

Propagansey's display of traditional patterned fishing jumpers

There was extreme knitting with giant knitting needles so mesmerising that I forgot to take a picture. And Susie Johnson of the Wool Sanctuary, responsible for Kirsty’s cute beach hut draft excluder, had a pretty stall. Jane Beck was there with her impeccable vintage and modern Welsh tapestry blankets, cushions, and now (in a new departure) clothing. I really enjoyed speaking with Jane who is pleasantly straightforward and direct. Coming away without buying anything was a struggle as her stall was too tempting; look out for her gorgeous line in vibrant waistcoats cut from end-of-line bolts of wool.

As you might expect, I had my eyes peeled for recycling and upcycling ideas. I found:-

recycled sari yarn…

Sari silk

Recycled saris

rag-rugs being made from old t-shirts…

Making an upcycled t-shirt rug

Patricia making a rag-rug from old t-shirts

and also from tweed skirts, by Jenni Stuart Anderson… who sells lovely implements for rag-rugging and has written a couple of good books on the subject.

Rag-rug maker, Jenni Stuart Anderson

Jenni Stuart Anderson's rag-rugs

There were knitted and fulled wool rectangles (those these weren’t actually recycled, but nevermind) from Undy Yarncrafts

Fulled wool sample squares

Felted lambswool

and simple peg looms for rudimentary weaving of  scrap clothing strips: denim jeans, for example. Again, I got too excited to take snaps.

Moving away from the recycled wares, I found these beautiful hand-dyed cotton/silk embroidery threads from Strawberry Seahorse.

Hand-dyed embroidery threads

Hand-dyed embroidery cottons and silks

And I thought these Alpaca socks, from John Arbon Textiles in North Devon, were gorgeous; my picture doesn’t really do full justice to the delicious stripe and contrast heel/toe combinations. John Arbon also has a range of salvage cotton socks made from end-of-line and surplus yarn stocks which would otherwise be thrown away.

Gorgeous wool socks

Alpaca socks, made in the UK

Dotted here and there were pens of real, live sheep. I spotted some angora bunnies too.

Sheepish exhibit

It's Wales. We have sheep.

Punters queued placidly outside the metal fencing for the Wool School. Inside were workshops such as Understanding and Maintaining your Spinning Wheel and Knitting without Needles. I was signed up for Fibre Choice and Preparation with Sue Blacker of the Natural Fibre Company. When the gate opened, we filed in obediently like a flock of compliant sheep. Our tutor unfolded entire shorn fleeces from sacks and had us feel and assess the fibres, their differences dictated by breed, health, age, location (both on the animal’s body and of the breed within the landscape). Sue’s knowledge and clarity were admirable, as was her obvious affection for her subject. It was oddly moving to see that sheep turn grey with age, just as people do. And to hear that stress experienced by the animal affects the quality of wool;  it will become ‘fragile’ – i.e. the staple may break when stretched –  if a sheep suffers a shock, such as a dog worrying it. A ewe may suffer similarly from the stress of having triplets. Sue explained how black sheep go reddish in the sun, and brown sheep go blonde (at least on the tips), so if you want to maintain your sheep’s original colour you must keep it in by day and only let it out to graze under cover of darkness. The fleeces were raw and unwashed and amazingly greasy to the touch, almost as though dubbin had been applied, but this was just the naturally occurring lanolin. It’s now obvious to me that sheep are waterproof, and I wonder why every schoolchild doesn’t get the chance to feel a sheep’s fleece too.

Wool school

Wool school

Fatigue and information overload were setting in by mid-afternoon and I was pretty much finished before I reached Finnish felting. I snoozed on the coach journey home, dozing off some time after we spotted a field of improbably gangly Alpaca. The small square piece of fleece I bought just before leaving the festival came in handy as an impromptu pillow against the coach window. No sheep-counting necessary.

Wonderwool Wales 2012 will take place April 28-29, Royal Welsh Showground, Llanelwedd, Builth Wells, Powys, LD2 3SY. Enquiries: enquiries@wonderwoolwales.co.uk or 01938 820495

*I apologise unreservedly for the quality of that pun.

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Mar 01

Mimi’s Fresh Fish

I’ve been itching to make Mimi Kirchner‘s Fresh Fish pattern since I bought it from her Etsy store in January. I finally got a chance to play with it at the weekend, prompted by a Piscean member of the family’s birthday this week.

Fresh Fish pattern

100% upcycled fish from Mimi Kirchner's pattern

Mimi fully deserves your custom so I won’t divulge too much about the making. I’ll just say that it’s a thorough pattern. And Mimi’s experience of using recycled elements (pre-felted woolen garments etc) fundamentally informs her approach, so if you’re motivated to recycle old materials in a way that exploits their full creative potential, you should get right over to Doll, Mimi’s blog, without delay. I first became aware of Mimi’s work when I saw one of her kitty series and was blown away by what she managed to make from a straightforward old sweater. Her latest series of  tattoed ladies, made with dyed-over old toile de Jouy (of all things), is a triumph. She invests such personality into all of them.

I can divulge that you actually get two sets of pattern pieces for the price of one with Fresh Fish: one for stretchy materials, one for regular woven fabric (furnishing fabrics or medium-weight cottons). Both types of fish are well featured on the Flickr Fresh Fish group. I was going for the stretchy version; the fins are the things that need a lot of give, and my merino wool sweater met that brief perfectly. I worried that I might have picked something too stretchy for the main body section, but my choice worked out just fine.

Tail close-up

Fish tail

Something went awry when I cut out the bottom fins – they ended up angled in the wrong direction. I also slipped into auto-pilot part way through and forgot to read the instructions somewhere around the fins, so I didn’t sew the edges together as I think I should have done. This has made them a bit more fluffy and feathery, but I like that. Just as with cooking, the real art of sewing is knowing how to rescue a project when it starts to go pear-shaped.

I cheated right at the end as I didn’t use the recommended felt backing for the eye. Nor did I stitch on a mouth. I could say that I didn’t want to gild the lily, but in truth I simply felt I could get away without adding them. Now that I’ve looked through the Flickr group of fish made using Mimi’s pattern, I wonder if the pale blue cloudy eye on this one doesn’t make him look like he’s a lot less fresh than he might be. He definitely has a distracted, otherworldly, head-in-the-clouds quality which happens to suit the recipient right down to the ground.

Fishy reading

Fish head

What really pleases me is that this fish is entirely upcycled and/or vintage. 100%. Even the stuffing was an old synthetic pillow which had wadded into an unpromising non-pillowish lump in the wash (I know,  I know, the things I hang onto…). I’ve mentioned the fabric (old sweaters) already. The buttons were old (they don’t actually match – poor fish has one eye a little bigger than the other, but don’t we all, and you only see one at a time anyway). All the threads used are at least 20 years old too.

And here is our cat, oblivious to her potential catch. I’ll bet she has this video and song running in her dreams. [Song itself kicks in about 2 minutes in; it's worth wading through all the preliminary surreality, even if you'll be humming the tune for days. Sorry!]

The one that got away...

The one that got away

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Feb 19

Woolly confessional

I’m doing it again: wearing a charity-shop wool top that I really bought for felting (of fulling, or whatever I should be calling it) in order to upscale it into something else more wonderful.

I must confess that I often feel tempted to just slip on that cardigan or fair-isle tank top once I get my woolly trawl home. I’m often surprised by how much I like wearing what I find. There’s something so deliciously random about the process. Things I buy for shrinking need not be my size, they just have to be made (mostly) of wool. I’m small, so can fit into most sizes, and sometimes the big sizes look better than the small ones. Occasionally, something big shrinks to fit me quite well after felting in the washing machine: that happened with a gorgeous cashmere cardigan. I look for good strong colours for crafting projects, so end up wearing things that I’ve programmed myself to avoid in first-hand shops where my choices are often much more conservative.  I’ve (unconsciously) learned to limit myself over the years. I don’t know why I don’t buy new red woolens, for example, except that I’ve probably tried on the wrong red to suit my complexion at some point, or the wrong pink, or orange, which has set me against that entire chunk of the colour spectrum. As I grow older I’m hoping to grow bolder with colour.

Here’s some colourful wool I managed to locate on a recent charity-shop excursion, though I’m not planning to wear any of it. Mr Green, the tank top on the left, has been cut straight up the middle (why?) so is unwearable, and Ms Designer Stripes there on the right is is entirely the wrong size (too small) and shape. Both will hit the hot wash. Flashy Lord Kingfisher in the middle there is a vintage mohair scarf which just needs gentle sprucing before landing on my spring fair stall.

Do you operate different rules when buying new/second-hand? Have you any wardrobe or crafting quirks that you’d like to confess to? One artist friend, who uses felted garments in her work, told me that she can’t bear to buy second-hand sweaters as she finds them too ‘personal’. She doesn’t mind scarves though. Funny. The personal nature of second-hand doesn’t bother me at all, though I hasten to add that I do wash them before wearing.

Thrifted wool

Colourful charity-shop wool

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