This Italian swaddling band, dated 1600-1625, is made of linen with an embroidered cutwork border. Its display card offered some almost contemporary (1671) advice to mothers and nurses on how best to dress newborn babies c/o midwife Jane Sharp: ‘lay the arms right down by the sides’, and then wrap them in bands of cloth ‘that they might grow straight’.
Leafing through my trusty Shorter Oxford English Dictionary I find that swaddle is first found in Old English as a noun for a length of bandage used to wrap an infant. The verb swaddle followed in Middle English. I’m not sure if it helps them grow straight, but very small babies do seem to enjoy the restriction of being tightly bundled. Perhaps it reminds them of the cramped conditions they left behind in the womb?
If you’re counting back from the Feast of Christmas, Mothering Sunday (the 4th Sunday in Lent) often falls around the the Feast of the Annunciation (25th March). And, still in the V&A, my eye fell on this rather comical painted and gilded oak sculpture representing my favourite archangel, Gabriel.
The display card explained that he’s from Northern France, dated 1415-50, and probably comes from an altarpiece. His orientation is unusual because ‘Gabriel usually approaches from the left’. I’ve never noticed the left-ness of Gabriel’s approach to Mary in fine art but will look out for it from now on. He does look a little hesitant (a bit like the apologetic demeanour of the vicar in BBC’s Rev. series which, I’m pleased to note, is now back on our screens). Gabriel is, incidentally, the patron saint of journalists and communicators, and this Gabriel looks like he understands only too well the concept of shooting the messenger.
On this trip to London, I also visited the Clothworkers’ Centre, the V&A’s new state-of-the-art facility at Blythe House, Olympia, West London. This is where the museum now stores the majority of its textile collection – some 100,000 objects, everything from buttons to carpets – and where items can be accessed for study by groups and individuals. The public can tour the centre on the last Friday of the month, though pre-booking is absolutely essential. I found my visit quite awe-inspiring, though (very sadly) I’m not allowed to show you any of my pictures. But next week I’ll share some pearls of wisdom gleaned during the informative tour – not least how best to combat those dreaded clothes moths.