Tagged: mending

Feb 02

Golden mending




Cardigan with golden mending


This is an experiment in golden joinery, a style of visible mending which I think I first heard about via Morwhenna Woolcock in Bristol – her film about it is over here on Vimeo. It’s a textile nod to the Japanese art of kintsugi, a repair technique practised on precious Chinese porcelain from the late 15th century. In kintsugi, the damaged object bears conspicuous repair seams of gold-coated lacquer. There is absolutely no attempt to hide the damage, and in the process of repair the artefact becomes not as-good-as-new but even better than. The golden scars are integral to the aesthetic, and repair becomes an alchemical process. What’s not to love? You can hear more about kintsugi in this wonderful BBC Radio 4 programme, Something Understood, which aired last September.

My mission here was to repair a couple of moth holes on the upper sleeve of a Hobbs cardigan. It’s a common place to find moth holes on a woollen garment. Maybe it’s the way we tend to store our knitwear? Tucking arms inside as we fold, thus making an irresistibly snug spot for the average egg-laying moth. I didn’t spot any damage when I bought this cardigan second-hand, but washing revealed the two holes. Damn and blast. On with the mending.

So here’s what I did:

  • I stabilised the area first, tacking a small piece of pre-washed cotton tape to the reverse of the repair – this was to stop the area puckering or distorting during the mending process
  • Then I created a matrix of vertical threads with regular sewing cotton, securing each unattached run-threatening loop and also creating a framework for my darning
  • Next I reworked the stitches with Swiss darning (a.k.a. replica stitch) in gold thread



One down, one to go


My verdict: this is a rather fine knit, making Swiss darning it quite eye-watering, and the gold thread I used wasn’t entirely co-operative: it wasn’t really flexible enough for the task. But I persisted. Here’s the thread I used, top right. It’s unfortunately lost its label but looks like pretty standard metallic thread designed for machine-embroidery use.


Golden threads

Golden threads


This isn’t the most accomplished repair I’ve ever worked, but it’s effective.  The area certainly didn’t pucker (which tends to make a repair look amateurish), and I love the impact of the gold – it reminds me of a square of gold leaf shimmering there. What do you think? And no, I don’t always wear orange knitwear, though I do like orange a lot; it reminds me of marmalade and warm afternoon sun, both much appreciated in dull old February.



Golden mend, complete


I hope you’ll feel inspired to have a go at some kind of golden mending of your own. You might want to try a modern version on your broken ceramics. Let me know how you get on by dropping me a line in the comments – it’s always good to know that someone is keeping me company here! Thanks.

And if you happen to be in the Bath area and you have something textile you’d like to try to repair using this technique, please bring it along to the next meet-up of the Big Mend on Wednesday 26th February 7-9pm at the Museum of Bath at Work. More details about the Big Mend over here. I also include Swiss darning in my bespoke Strictly Come Darning! workshop.


Jan 14

Scrap of the week #35


Boussac fabric samples

1993 Boussac fabric samples

Boussac furnishing sample, ‘Tsunami’, 1993, New York


I have a stylist friend in New York who understands my passion for fabric scraps. When I visited her in 1993, she presented me with a huge stack of rectangular home furnishing samples jettisoned from the Third Avenue offices of French textile company, Boussac. Such treasures! I had to buy an extra case to get them home.



Third Avenue scraps – nothing but the best!


Poignant to think that I hadn’t even heard of the word ‘Tsunami’ when I was given these beautiful fabrics.

It can take me a while to find just the right use for a scrap. 21 years later, one of these Boussacs finally assumes its role as a patch for my student son’s jeans. He basically lives in jeans these days, and all his pairs are showing signs of wear. Here’s a typically shredded knee.


Jeans for repair

Jeans before


Jeans repaired

Jeans after


I love the rich shot effect of the red warp and teal weft of this fabric. And the 50% linen, 50% cotton feels great with the denim as it’s robust, yet yielding. I worked quite a traditional kind of reverse appliqué patch which should be super-secure (with 4 rows of stitching, though only 2 are visible). I hoped it would do justice to the Japanese influence of the fabric, with just a whisper of boro, the Japanese art of repair. What do you think? 

Jeans repaired plus Boussac samples

Jeans repaired plus Boussac samples


Jeans patch.

Four rows of stitching (two invisible) make this a really strong patch


And here are those jeans alongside another pair, patched with raw-edged scraps from my husband’s worn-out pyjamas. Both pairs had been in my mending pile (well, it’s more of a spreading mending cairn) for a while but were finally completed and delivered to the diligent student yesterday. He’s very happy  with them, despite their ostentatious repairs (which I suspect would be a little full-on for most blokes).  Their new wearer just told me that the patch is really comfy, hugging his kneecap and actually feeling much nicer than the non-repaired knee. So, a great result!

Two pairs patched

Two pairs patched

Would you like help repairing your jeans?

I’ll be teaching jeans makeovers to small groups in Bath this spring; Jean Genie sessions will show you several patching techniques (some very visible, some not) to re-knee your favourite jeans, plus the best way to shorten hems, narrow legs etc. Do get in touch if you’d like further details.

Patch-ology: I also teach a comprehensive selection of patching techniques for your whole wardrobe in small workshops. Do get in touch with me for more information.



Comments Off on Scrap of the week #35

Sep 10




Micro-patching is my current obsession. I’ve made up the term – at least, I think I have. It could already be some kind of hack in the world of software engineering (is it?) but here it succinctly describes using the teeniest textile scraps, usually of Liberty Tana lawn, to cover holes and other faults in a garment etc. Sometimes I apply them as reinforcements: around pocket edges, for example (see my purple granny cardi below). And sometimes I apply them just for the heck of it. To be honest, I need very little excuse to use Liberty fabric, so sometimes I don’t wait for a repair.

This week, my patch of choice has been circular, and my mission has been to cover genuine holes. Moth holes, to be precise.




If you have a similar woollen garment to repair, be sure to treat it first for moths; I hand-wash with an appropriate wool wash, air-dry flat thoroughly, then freeze for a week or two inside a zip-lock plastic bag. That usually shows the little blighters what for.

To make the tiny round patches, I’ve applied scraps of the lightest iron-on interfacing to my lawn scraps first, just to ensure that my patches are stable. This is my preference and isn’t absolutely essential as lawn is such a closely woven fabric that it won’t fray much (if at all) nor stretch out of shape, though it will get softer and collapse with wash and wear. So, I use interfacing to make them just a little more robust and shape-holding. Then I’ve cut out circles, using whatever round thing happened to be close to hand for a template: cotton-reels, buttons, money, thimbles, etc.

I had a lot of holes to cover, so arranging the patches was my next task. I tried not to draw attention to certain areas by using fabrics which toned with my flamey orange Brora cashmere tank top – a charity shop buy, incidentally, and cheap as chips because of its parlous moth-holed state. Other areas could carry more of a punchy contrast. You might feel a bit like a tattoo artist doing this, trying to figure where best to position a patch to enhance the wearer’s physique. Or not. If you have a really awkward hole (right over a sensitive part of the bosom, for example) you need to think very carefully about your repair. This might not be the right place for a micro-patch.


Positioning patches


Once pinned into position, it’s a question of  tacking (even if you never usually baste or tack, I’d advise not skipping this stage for this type of work – it doesn’t take long and you can try on your garment more easily to decide if you’re happy with the result). Then it’s time for stitching over the patch by hand, getting decorative as the mood takes: spirals, concentric circles, radiating lines etc. I rather like a plain, simple back-stitch a few millimetres from the edge of the patch. Blanket stitch will cover the edges, if raw edges bug you, but it yields a slightly raised effect – fine, if that’s what you want. You could free-machine embroider, if you prefer; a few overlapping freehand circles would look really good. But this is hard (OK, impossible) to do on restricted areas such as sleeves etc.


Back-stitched micro-patch


How small can you go with these micro-patches? Well, if you’re just covering a mark or soiled area, you can go very itsy-bitsy as there’s no repair to effect; so as long as you can secure it well to the background fabric, you can go wild with your teenies. If you’re covering a hole, however, I’d ensure there’s at least a half-inch margin of sound fabric all around the edge of the repair. Now, if you stitch well over your patch, it should hold up well. To be extra secure, you could even try sandwiching it, with one patch on the outside, another of the same size on the inside; this could be done without any interfacing for a softer, more yielding repair. And then you’re spared seeing the raw edges of your repair on the wrong side of the garment. 



Radiating lines of split stitch


I get a real buzz from using up even the smallest jewel-like scraps of Liberty fabric. Do you? Seems almost criminal to throw them away. If you have a go, please show me how you get on. There’s a place to share your repairs, by the way, over here at The Big Mend group pool. Jump on in! The water’s lovely. 

I also love the satisfaction of working old-school tradition patching techniques which leave strong, finished edges; I will be teaching these (plus creative ways to repair jeans) in my half-day patching class, Patch-ologyPlease visit my classes page for details: forthcoming dates are Wednesday 18th September, Monday 7th October, and Friday 8th November. But I like to play it dangerously with my lawn, risking raw edges (which aren’t going to fray a whole lot anyway) and going smaller and smaller and smaller. Edgy stuff!


Send reinforcements!




Sep 07

Mending at Bath Artisan Market


The Big Mend will be bringing a pop-up mending workshop to Bath Artisan Market tomorrow, Sunday 8th September, at Green Park Station (the covered section, just down from Sainsbury’s) from 10am. So dig out those winter woollies nibbled by the moths and discover creative darning and patching.  Hope to see you then!


Come mend with us!

Come mend with us!


Comments Off on Mending at Bath Artisan Market

Jul 29

Scrap of the week #30


I’m cheating here as this isn’t a scrap of fabric, as such. But it could be. One day.


Raw fleece after a couple of washes


There’s an #onlyinBath hashtag on Twitter. It usually describes the quaint and curious things which could only occur in this rarified, picturesque location. And the subject of this post qualifies. Because there can be few cities where sheep are still grazed within spitting distance of the most splendid stone crescents (I know at least two such locations within the city). And possibly even fewer where the owners of said sheep can’t find takers for the resulting fleeces, even when giving them away. We live in a crazy mixed-up world, folks!

The prospect of a shedload of free Bath fleeces proved too much of a lure for me this week. My gain is yours, however, because I’m giving most of them away, in turn, to the first people who come forward.

These fleeces were sheared from their sheep at the end of June. Some are black (-ish), some white (-ish). They are raw, so you’ll have to clean them up, which is messy and requires a washing space the size of a bathtub (in fact, a bathtub will do nicely) and an alarming quantity of washing-up liquid. But I think it’ll probably be worth it, especially if you want to try your hand at spinning. I’m aiming to create the most wonderful natural stuffing imaginable. That’s the plan, anyway. So far I’ve washed a small portion (see image above) to get a feel for it. My hands are lovely and soft from the lanolin, but the fleece is still full of foreign bodies – mostly of vegetable origin, but some of sheep origin, if you get my drift. It’s obviously a long game.

Sheep and their wool have a long history in this city, of course. From the 13th century, Bath was renowned for its fine woollen cloth, and wool wealth built the early city. You can find out more about this history at the Museum of Bath at Work. Here is one of their displays.



Wool display at the Museum of Bath at Work


The Museum of Bath at Work also kindly hosts the Big Mend, a free monthly mending social which you’ve probably heard me mention before. If you live in/near Bath and ever find yourself with more holes in your favourite garments than you know how to handle, bring them along on the last Wednesday of the month, 7-9pm, and we can help you sort them out. The next meet-up is this Wednesday 31st July. This is the room we work in. It’s light and spacious. Do join us!



The mezzanine level at the Museum of Bath at Work

And if you’re interested in a FREE raw fleece, do leave a comment below or email me. I can’t mail it, so am requesting only local takers, please. First come, first served.




Apr 10

Bath Artisan Market


This month’s Bath Artisan Market at Green Park Station on Sunday 14th April has a Make Do & Mend theme, and the Big Mend will be there all day with a pop-up mending workshop.

If you’re in Bath and happen to have something needing a new button attached, a seam fixed, or maybe a hole darned, come on down! We’ll show you how. And it’s FREE! More about the Big Mend mending socials over here.

This Sunday’s market also brings you the Big Bath Clothes Swap, screenprinting for the kids (c/o Happy Inkers), and plenty of local gourmet food. Now we just need the Great British spring weather to co-operate! If you aren’t coming by public transport, by bike or on foot, there’s free parking for an hour and a half in the Sainsbury’s and Homebase car parks.

Bath Artisan Market Make Do and Mend Day


If you’re on Twitter, follow Bath Artisan Market for latest news and updates. This market happens every second Sunday of the month. Hope to see you this Sunday!

PS I’d welcome some willing volunteers to help with the stall. If you can spare half an hour on Sunday, do get in touch. No previous darning experience necessary!



Mar 23

Green Living Fair


I’ll be taking a pop-up mending workshop to the Green Living Fair in Bath tomorrow, Sunday 24th March, 10am to 4pm. If you’re within striking distance and fancy trying your hand at Swiss darning or adding some really beautiful patches to your favourite jacket or cardi, drop by the Big Mend stall any time between 10am and 4pm. You’re very welcome to bring items that need mending to get free advice on how best to repair them. 

Green Living Fair: 24th March in Green Park Station, Bath

Green Living Fair: 24th March in Green Park Station, Bath


You’ll also find 40 other green community organisations, local businesses and installers running activities, selling their produce and products, and sharing their expertise.

You can make your own pedal powered fruit smoothie, pet the pygmy goat (12pm-2pm), bring your bike and get it checked out for free at the Dr Bike clinic, have a go at eco arts and crafts, and much more.

There will be a marquee of topical talks running throughout the day covering home, energy and environmental themes.

You can book a 30 minute appointment to talk to an architect in the Ask the Architect Zone to discuss plans, schemes and dreams for large or small projects and The Royal Institute of British Architects’ 21st Century Living Exhibition, featuring images of fantastic local architectural achievements, will also be on show.

It’s all under cover so no need to worry about the weather!

The Green Living Fair is part of the Bath Green Homes project which features over 20 events throughout March & April including talks, activities and workshops which aim to help people make their homes warmer, greener and cheaper to run. There will be an Open Homes Weekend on 13th & 14th April showcasing inspiring examples of energy efficient homes across Bath.

To find out more you can:

Hope to see you there!




Mar 01

Sylvia’s marvelous darner

Sylvia Darning by Harold Gilman [Public domain or Public domain], via Wikimedia Commons

Sylvia Darning by Harold Gilman, 1917

I keep my eyes peeled for interesting images of darning. This painting by British impressionist Harold Gilman (1876-1919)  is currently my favourite. ‘Sylvia Darning’ is dated 1917. I love it’s palpable coolth (is that a word? It should be). I don’t know much at all about Gilman, other than what Wikipedia tells me, but would love to find out more. Doesn’t that vase really sing out from the middle of the table? If you’d like to see the original canvas and soak up the colours, I’m afraid you’ll have to schlep to the Yale Center for British Art. It’s a bit more of an effort for me than Rode in Somerset where Gilman was born; that’s just 21 miles away.

I’m also a partial to old darning implements (you would never have guessed!). Here is one I acquired recently: the “Marvel Darner”. Excuse the violent orange background but I got a little carried away.

Marvel Darner

Marvel Darner


The Marvel darner measures just a couple of inches across and is effectively a miniature velvet board with densely packed metal wires set into a small wooden frame. The idea is that it grips the holey sock, giving the mender a stable base on which to work. No stretching, gaping sock hole. How marvelous! At least, that’s the idea. I don’t know how well it works yet as I haven’t tested it. The instructions, on a small paper label glued to the top, read:



Push left hand into garment.

Place gripping surface direct on worn part.

Keeping exact size & shape, turn inside out and darn in usual way.

Never push darner into stocking or sleeve.

Pat. No. 159770.



Marvel Darner label

Marvel Darner label


I so wanted to imagine that Sylvia was using one of these when she sat for that painting, but the painting precedes the darner by three years, so it can’t be; Edwin List Cornell filed his patent entitled Improvements in and relating to darners on 29th March 1920. Here’s how he summed up his darning innovation:

‘A darning-block is provided with a surface made up of the ends 4′ of wires or the like. The wires may be mounted upon a backing and secured in a recess cut in the head of the block. In place of recessing the block, the wires may be surrounded with a ring secured to the block.’

The patent was finally published a year later on 10th March 1921. I’ve also seen aluminium versions of the Marvel, which I assume are later than the wooden one, but that’s my conjecture, judging by the typography. One of the boxes for the aluminium version quotes the manufacturer as:

 E Cornell & Sons, 54 Lower Thames Street, London, EC5.

So what is this ominous notice from the The London Gazette of 19th May 1925?


NOTICE is hereby given, pursuant to section
188 of the Companies (Consolidation) Act,
1908, that a Meeting of the creditors of the above
named Company will be held at Chancery-lane
Station Chambers, High Holborn. London, W.C. 1,
on Thursday, the 21st day of May, 1925, at
2 o’clock.
(094) J. L. GOODWIN, Liquidator.

Presumably this isn’t Cornell‘s company? Surely he was trading as ‘E Cornell & Sons’? His product explicitly includes ‘Cornell’ in the name. Could the Marvel Darner Company Ltd have been making this  ‘Marvel’ darning product, a sewing machine attachment which crops up in an Australian newspaper advertisement in October of the same year? Or did Edwin have a darning company which ran into insolvency and then resumed production under another company later? Mysterious. What do you think?

I haven’t been able to discover much more about inventor Cornell, beyond the clue in that company name that he had a family. He continued to tinker with domestic equipment after he developed his darner, filing the patent Improved device for separating cream from milk (January 1932), and Improvements appertaining to domestic pans and the like (April 1935). Other than those patents, I can find no further information about him. Harold Gilman had died of Spanish flu way back in 1919, and heaven knows who Sylvia was or what ever became of her. Some days you really wish you had a time machine. Improved, of course.


Jan 07

The Big Mend in Bradford-on-Avon


Mrs. Sew-and-Sew darns

I’m delighted to announce that 2013 brings with it a new monthly incarnation of the Big Mend, now in Bradford-on-Avon, Wiltshire.

The Bradford-on-Avon mending social meets the first Tuesday of the month at Jumble Jelly in Silver Street. First meeting: Tuesday 8th January. Drop in any time from 10am till noon. As is usual for the Big Mend sessions, there’s no charge to attend – just grab your mending and turn up. The Big Mend is really about sharing skills, finding new ways to repair clothing, and having a good old natter. Mending materials will be available to purchase, if needed, but there’s no obligation to buy anything at all.

If you’re closer to Bath, our original mending social still meets at the Museum of Bath at Work in Camden Works, Julian Road, on the last Wednesday of the month, 7-9pm. Next meet-up: 30th January.

Would you be interested in setting up a mending social in your area? If so, please contact eirlysATscrapianaDOTcom for further details.




Oct 22

Scrap of the week #24


Gone so long and no excuse note. Sorry, the dog ate my blog posts.

I’ve been fully absorbed by a handful of projects, one of which is guiding my eldest son through the serpentine process of applying for university. If you’re doing likewise, my sympathies. I’d rather stick pins in my eyes.

I’m also having persistent difficulty getting Flickr and WordPress to communicate with each other via Safari. Anyone else had the same problem? And how did you solve it? At the moment I’m having to compose posts on other family members’ computers. Very meh.

Anyway, I finally have a Scrap of the Week to show you. It’s a piece of sweet floral barkcloth, part of a pair of curtains (complete with gathered pelmet) which a good friend spotted for me recently. Not being a textiles expert, I’m guessing 1950s, but please correct me if you are able. The set is half rotten and (one assumes) about to shred to ribbons. Therefore, I haven’t dared wash it yet, though it’s a little grotty and stained and deserves laundering. I may give it a gentle soak with something benign in the bathtub, in the same way that I washed this.

But just look at the darning! Not exactly expert but determined.

Darned barkcloth curtain

There are several areas of repair. The story they tell! Somebody really loved their floral curtains. Have made no plans for this lot yet. What would you do with it? About 4 metres in all. More pictures over on Flickr.

Related Posts Plugin for WordPress, Blogger...


Socialized through Gregarious 42
make PrestaShop themes