Tagged: haberdashery

Apr 13

Hatched, Matched, Dispatched – & Patched!

 

 

The American Museum

The American Museum wakes up for another season

 

‘Hatches, matches and dispatches’ is old newspaper slang for the births, marriages and deaths columns. You’ll also hear it used to refer to baptisms, weddings and funerals, the corresponding services offered by the Church. Now the American Museum in Britain, located idyllically on the southern outskirts of Bath, has tweaked the term for its latest exhibition, Hatched, Matched, Dispatched – & Patched! This exhibition, which runs through the year until 1st November 2015, brings together textile artefacts interwoven with life’s great rites of passage. And, as plenty of those textile items have been created using patchwork (and the museum has a fine permanent quilt collection), that’s where the ‘patched’ comes in.

Some artefacts have also been borrowed from exhibition partners the Beamish Museum, Jersey Museum and Art Gallery, the Quilters’ Guild, and Jen Jones’ collection in Wales, and so the sourcing reflects a mixed provenance from both the United States and the British Isles. But it’s the cross-cultural universality of the human condition which draws them all together, and there are plenty of poignant human-interest stories behind these objects, as curator Kate Hebert explains: ‘the personal and sentimental connections, the stories of the individuals that are linked with these objects, are what I have found so moving.’

I went along for the press launch early last month when spring was still struggling to assert itself and the banks of daffodils were only just beginning to open outside in the beautiful grounds. But there was plenty of stitched brightness and vitality to view within the exhibition. Here’s a taste of what I saw.

 

Hatched, Matched, Dispatched - & Patched!

Hatched, Matched, Dispatched – & Patched! poster

Glad rags

Life’s big milestones are usually associated with looking your best,  so it makes sense that many of the textile objects featured in the exhibition are items of clothing (a subject I was possibly over-engaged with when I attended as I was in the middle of a ‘fashion fast’ – more of that in another post). Christening gowns, christening bonnets, baby slippers, bridal gowns and shoes, black clothes worn when an official period of mourning was enforced, even clothing worn by the dead to be buried in – modern day grave goods, you might call them – feature here.

The displays are subdivided into three grouped sections (‘Hatched’, ‘Matched’ and ‘Dispatched’), but I’ll dot back and forth between them for this post.

In the ‘Hatched’ section cascades of handmade broderie anglaise in a row of Christening gowns caught my eye. The christening gown took over when swaddling fell out of favour in the eighteenth century. Then gowns became longer and longer, an opportunity to display one’s wealth and status in the finest detail, all located at the front, of course, where it could be shown off. In a cabinet of baby bonnets, I spotted a cap with the tiniest imaginable white French knots – alas, my phone wasn’t up to capturing them. I was also drawn to a pair of 1930s silk baby slippers with padded soles worked very effectively in a hatched trapunto pattern of quilting, using coloured yarns which were just visible through the silk.

 

Christening robe, c. 1890 c/o Jersey Museum

Christening robe, c. 1890 c/o Jersey Museum

 

One of the wedding dresses on display was worn in 1887 by Agnes Lucy Hughes, the first mother-in-law of Wallis Simpson.  But most eye-catching is the daffodil dress (see below) embroidered by Henriette Leonard for inclusion in her bridal trousseau around 1892. Tragically, Henriette died before she was able to wear it; her brother persuaded her to take a tour of Europe shortly before her wedding, and during the trip she took ill with the flu allied with ‘nervous exhaustion’ and died. The pristine condition of the dress suggests that it was never worn and got packed away as a family memento.

Daffodil dress. Image c/o The American Museum

Daffodil dress. Photo credit: the American Museum

 

Sad rags

In the ‘Dispatched’ section there’s quite a bit of mourning garb, much of it nineteenth century and frequently featuring jet. As a Victorian female mourner observing a strict code of mourning etiquette, your yards of black crepe would be held together in part by ‘jet pins’ (actually ‘japanned’ or enamelled metal) so as not to allow the unseemly glint of frivolous silver caused by a regular steel pin.

Jet pins

Jet pins

 

Strict observance of an official mourning regime in Britain appears to have been relaxed during the Great War. Then the massive death toll in the trenches would have required so many to wear mourning garb that civilian morale would have been too sorely tested.

There’s a tradition in Wales of knitting stockings to be worn after death. Similarly, some women quilted skirts to be buried in. The late nineteenth century Welsh skirt below is a rare survival, made by two sisters who somehow left it behind when they moved house.

 

Welsh quilted burial skirt, nineteenth century, courtesy of Jen Jones

Welsh quilted burial skirt, nineteenth century, courtesy of Jen Jones

Quilts

Finely detailed items to adorn the home have often been made in response to a birth, stitched by a young woman in anticipation of her marriage, or by a mourning widow to mark the sorrowful departure of her life’s partner. The American Museum is justly famous for its quilt collection, and you get a chance to see a few of their gems showcased here in this exhibition.

 

Ellen Bryant's 1863 log cabin quilt

Ellen Bryant’s 1863 log cabin quilt

 

One of my favourites is the stunning log cabin top shown above, pieced around 1863 by Ellen Bryant in  preparation for her marriage in Londonderry, Vermont.  Over three hundred log cabin blocks (each 4 and a half inches square) have been arranged in a variation known as ‘barn raising’ or ‘sunshine and shadow’. This eye-popping quilt has an even more intricately pieced backing created by Ellen’s sister, not finished until 1886. Evidently the resulting quilt – a sororal labour of love – took over two decades to complete.

And another favourite from the permanent collection is the Christmas bride. The appliqued holly leaves have faded over the years, as greens tend to do, but the red berries and festoons remain surprisingly bright. Insider tip: you may still be able to find a tea towel bearing this design in the museum shop.

 

Christmas Bridge appliqued quilt

Christmas Bride appliqued quilt

 

With my interest in mending, I was glad to see Bertha Mitchell’s quilt, made from dress and furnishing fabrics to celebrate her sister’s wedding in 1899. Bertha worked as a seamstress, repairing clothes in Keswick Boarding School.  You’ll find a close-up picture of that quilt over on my Instagram feed.

A very special cot quilt is featured here, on loan from the Quilters’ Guild, but unfortunately I didn’t get a photo of it. It’s the earliest piece on display (1700-10) and is a white, whole-cloth quilt, densely quilted by hand.

There are also a few mourning or memorial quilts on display, a couple dating from the American Civil War era (see ‘Darts of Death’ on my Instagram feed).

 

Poignant needle

And then there was possibly the most moving item of all, a simple embroidered tablecloth – its very ordinariness adding to its poignancy. The signatures of female friends and American servicemen stationed at Cheltenham during the months leading up to D-Day are partly embroidered. But some remain in the pencil. Helen Slater, the embroiderer, was working them in a variety of bright colours, but she stopped part way through one signature, and her needle remains lodged in the fabric. She couldn’t bring herself to finish the project after she heard that her fiancé, Jack Carpenter (his name embroidered in red) had been killed in action. She put the cloth away with a book (The Rubaiyat of Omar Khayyam) that he’d given her just before he left for the D-Day landings, and she cherished them both for 70 years until her own death.

Embroidered tablecloth, World War II

Embroidered tablecloth, World War II

Postpartum pincushions

I like a nice pin or several and so made a beeline for a couple of exhibits featuring pins. For the diehard haberdashery enthusiast, besides the jet pins mentioned above there’s the museum’s own 1821 baby-welcoming pincushion made of silk and steel pins. This pincushion, which has just been restored (the silk had shredded and the stuffing been lost), reminded me of a couple in the 2010 V&A exhibition of quilts, though those were dated a little earlier. Pincushions with elaborate patterns and phrases marked out with pinheads were popular gifts for new mothers. However, it was considered bad luck to gift such a pincushion before the birth, as that might sharpen the pains of labour. The museum notes explain that in colonial New York, births were announced by hanging pincushions on door knockers – a practice which apparently fell out of favour after the safety pin was invented in 1878.

Welcome little stranger pin cushion

‘Welcome little stranger’ pin cushion

 

Tonsorial textiles

Grim though they might sound to us today, mourning rings made from the deceased’s hair were popular on both sides of the Atlantic during the nineteenth century. The eagle-eyed visitor to this exhibition will spot fascinatingly intricate rings and brooches delicately woven from human hair. I didn’t get a good shot of them, sadly, as that part of the exhibition was dark, but do look out for the rings ingeniously formed to resemble tiny buckled belts.

There’s a lot more to see than I can show you here, but you can find a few more images over on my Instagram feed. And let’s not forget the person who put it all together: Kate Hebert, new in post as the American Museum’s curator. Congratulations, Kate!

Curator Kate Hebert

Curator Kate Hebert

 

Finally, a quick update on last year’s immensely popular Kaffe Fassett exhibition. I’m reliably informed that there is now a permanent Kaffe boutique at the museum, so whenever you time your visit you can always get your fix.

 

Hatched, Matched, Dispatched – & Patched! runs till 1st November 2015 at the American Museum in Britain, Claverton Manor.  There will be a talk by Edwina Ehrman, Curator of Fashion & Textiles at  the Victoria & Albert Museum, this Thursday 16th April 2015. Check out the museum’s website for other associated events.

Running alongside this exhibition is Spirit Hawk Eye, a celebration of American native culture through the portraits of Heidi Laughton.

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Sep 05

Closed for repairs

 

This poor, neglected blog is having its innards looked at. The content is broken, the ideas ragged, and (unfortunately or fortunately, depending on your perspective) the author is run off her feet doing other work and simply doesn’t have the time to look under the bonnet.

Until it’s up and running again, here is a pretty bundle of mending materials to gaze upon. Thank you for your patience, and could you please pass me that screwdriver… ?

 

Mending bundle

Mending bundle

 

 

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Mar 25

Mend with Mother

 

 

Minolta DSC

Mend with Ma this Wednesday

 

The Big Mend this month will have a Mother’s Day theme. So there’ll be FREE CAKE for all mums this Wednesday 26th March at the Museum of Bath at Work, Julian Road, Bath7-9pm.

We’d also love it if you’d come along and share your mending memories with us. Memories of watching things repaired at mother’s knee, perhaps; memories of Granny darning, maybe. We will be beginning to record mending memories in our imaginatively titled Mending Memories Notebook and warmly invite you to add yours.

I’m aware that many of us don’t have mothers (myself included) but I hope that won’t deter anyone from coming; there’ll be FREE CAKE for motherless souls too… :*-)

If you are in or near Bath and haven’t attended one of the Big Mend sessions, here’s how it works. We always meet on the last Wednesday of the month to tackle whatever’s in our mending pile – or, at least, a small portion of it. Tools and materials* are laid on, as far as possible, though you might want to bring along matching thread, or the perfect button, if you’re picky about such things. Or your sewing kit, if you’re attached to your particular needles, sewing scissors etc. There’ll be advice and suggestions on how you might go about your textile repair, if you’re stuck. We don’t charge, as such, but ask a minimum £2 donation to help cover the museum’s costs.

The more is most definitely the merrier, so if you like the idea then please share this post with someone else who you think might appreciate it. Thanks. Oh, did I mention the FREE CAKE?

 

*we’re always happy to accept donations of sewing tools, haberdashery or scrap materials that we can use for textile repairs. If you have anything that you think might be suitable, please get in touch.

 

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Feb 23

Scrap of the week #36

 

Here are several scraps sneaking in together as #36.

I was delighted to have a huge bagful of fabric scraps donated recently for use by the Big Mend. Here are just a few, washed and pressed and ready to go. There’s a ’70s duvet cover (purple flowers), ’70s pillow case (yellow flowers) and an old tablecloth (brown flowers). All of these had been carved up for the upcycling exploits of the previous owner. Underneath that is a length of late ’60s/early ’70s furnishing fabric. They will all be available to use for patching at our skills-sharing repair socials (or sewcials, if you like a cutesy handle).

The Big Mend sessions are open to everyone and anyone to come along with their mending pile and get guidance on how to work repairs. I give my time and skills freely (as do all the generous people who help me run the events). We see all sorts of people turning up to do everything from sewing on a button to repairing the seat of their favourite jeans. Tools and materials are mostly laid on gratis, again by yours truly. Which is why it’s particularly lovely to receive supportive gifts such as these. All we ask of attenders is a very small donation.

Did you know that you should always pre-wash fabrics* before using them to patch clothes or linens? At least, for anything that you intend to wash once it’s repaired. If not, the patch will likely shrink and detach from the garment it has been applied to. Such textile-repair wisdom was once commonplace, so much so that Jesus used it as an analogy in a parable to explain how he saw the meeting point of the old and new kingdoms:

“No one sews a patch of unshrunk cloth on an old garment, for the patch will pull away from the garment, making the tear worse. Neither do men pour new wine into old wineskins. If they do, the skins will burst, the wine will run out and the wineskins will be ruined. No, they pour new wine into new wineskins, and both are preserved.” Matthew 9:16-17

So, pre-wash your patching fabrics. You heard it here last.

 

*at least, when using natural fabrics – polyester, nylon etc won’t be so prone to shrinkage

 

The next Big Mend session at the Museum of Bath at Work takes place on Wednesday 26th February, 7-9pm. Besides these fabrics, there will be various materials to try your hand at working golden mends

We could always do with more sewing materials and tools, so if you happen to have anything you can donate to continue our skill-sharing in the community, please get in touch. Thank you.

 

Scraps for patching repairs

Patch-worthy scraps for the Big Mend

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Jan 03

Mystery Singer sewing machine

 

Can you help me to identify this strange machine, please?

Mystery Singer sewing machine

It was kindly donated to me recently by a generous friend. It’s definitely made by Singer.

Singer badge on portable sewing contraption

It’s definitely designed to be worked while it is carried: there’s a large wooden carrying handle.

It’s definitely for sewing something: the crank makes a needle move from one side to another, and those two large thread reels would indicate that it once created a strong lock-stitch (rather than a less durable chain stitch).

Singer contraption

It certainly needs a whole lot of TLC and indefinite quantities of oil. But I’m dying to know what on earth it was designed to sew! Sails? Tents? Demis Roussos’s kaftans? My preliminary searches have drawn a complete blank. Have you any ideas?

 

 

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Dec 27

Stitcher’s Christmas wreath

 

I hope you’re surviving the festive season intact. Isn’t it a relief when all the busy-ness slows down and you can sense a wonderful stillness?

I can finally show you a vintage haberdashery stitcher’s Christmas wreath which is currently gracing my front door.

IMG_2840

A few years ago I put together a wreath on a chef’s theme, but I thought it was about time I created a stitcher’s version. The basic wicker structure was bought years ago and is one of those things which I pull out every year along with the Christmas tree decorations and wonder when I’m finally going to do something with it.

I’ve tied on some of my old mother-of-pearl buttons with tough linen upholstery thread.

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And added a frayed old Dean fabric tape measure as a bow; it was once housed in a small round plastic case, but that broke irrevocably a long time ago.

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I also wrapped 5 wooden reels with deep red velvet ribbon and tied them on with invisible thread.

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Our door is under a slight porch so the wreath doesn’t take the full brunt of the weather (currently driving rain, mostly); I probably wouldn’t hang it outside otherwise as it isn’t really an all-weather creation. It will hopefully be hanging (as all my decorations do) right up to Twelfth Night. Then I will store it as is and haul it out again next year.

Did you make your own wreath this year? Did you use unusual materials? Or upcycled items? Please take a moment and tell me about it.

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Aug 09

The latch ladder mender

 

The Latch Ladder Mender

The Latch Ladder Mender

 

Here’s a little vintage gizmo I used for the first time at last month’s the Big Mend in Bath. Someone brought a fine-mesh knitted cardigan with a popped seam and a little ladder, so we used this old stocking-repair device to remedy the latter.

It’s a cute little tool – basically a tiny version of rug-making latch-hook – and works well, though using it requires youthfully sharp eyesight and is a little fiddly (opening and closing the latch), but not so hard. I’m sure that, as the packet firmly indicates, practice would make perfect. A small crochet hook would have done the job almost as well.

Ladder mender

Teeny weeny latch hook

 

See how tiny it is?

Quaintly, the instructions (printed on the brown paper envelope) advise to stretch your stocking repair over an egg-cup. In case you can’t see the pictures, here’s what the packet says:

 

THE LATCH LADDER MENDER.

Instructions.

1. Stretch ladder across eggcup or hand.

2. Insert hook behind end of ladder to catch up last loop.

3. Work needle up and down and pick up dropped stitches.

4. Fasten off last stitch with silk and tie inside stocking.

PRACTICE MAKES PERFECT.


Got any tips for repairing ladders in knitted garments? Or for mending modern stockings or tights? Have you ever seen one of these old ladder repairers? Or something similar? Do share!

 

 

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May 25

Jubilee Vintage Fair

I’ll be at Batheaston Primary’s Jubilee Vintage Fair tomorrow, 1-5pm, with my various vintage bits & bobs, buttons and Liberty beads. The organisers have gone to town with the vintage vibe and are promising vintage hairstyling, live music, vintage market & jumble, jubilee crafts, tea & cake, something called “wonderful WI cocktails” (anyone know what they are?), and even classic cars. Not your usual primary school fête at all! Something for everyone, so I hope to see you there.

Jubilee Vintage Fair, Batheaston

 

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Apr 11

The big mend

You’ll have noticed that I’m a bit of a fan of mending – in theory, if not always in practice. Like everyone else, I seem to have an ever-growing pile of things with holes or without buttons, waiting to be rescued from the clothing version of limbo.

Well, I’m thrilled to announce a new project happening very close to home which will help to redress that problem. It’s called the Big Mend and it aims to get Bath (or the small corner of it in which I live) mending its ways. Imagine a great big sociable gaggle of people sewing on buttons, darning, nibbling snacks and gossiping. That should be it. There will be sewing tools on hand to use, free of charge, and other helpful items to purchase, should you wish. Or you are welcome to bring along your own bits and pieces. If your problem is carving out the time and space, hopefully we can give you that. If your problem is trepidation or insufficient skills, we aim to be able to help you with that too; if there isn’t someone there who will know how to fix your beloved vintage dress, we will know where to look to find out.

Our first meeting of the Big Mend will be on Wednesday 24th April at Crockadoodledo, Larkhall from 7-9pm. You’re very welcome to drop in any time you like (though it would be advisable not to arrive at quarter to 9 if you have a long hem to repair). Entry is free.

Huge thanks are due to Caroline Harris, local author on matters thrifty (amongst many other talents) who encouraged me to pursue this idea. Curiously enough, she provided the  inspirational spark for the project when she wrote an article for Bath Life back in May 2009.

Caroline 's Bath Life article

 

In her article, Caroline rued the parlous state of her three pairs of jeans, and wished for what she called a ‘mending amnesty… an occasion where you can bring along all that forlorn forgotten sewing and do it in company, with a chat and a drink’. I read that and thought: That’s me! I can do that! And here it is, three years later, after a few false starts;  I  actually conjured up the artwork way back then (see it propped against this antique sewing machine?) but have managed to sit on it ever since. I just hope that Caroline’s favourite jeans are still salvageable.

The Big Mend takes place on the last Wednesday of the month from 7-9pm. May’s event (30th May) takes place at the Museum of Bath at Work in Julian Road. Entry is free, so just turn up!

 

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Mar 22

Mend It Better review and giveaway!

My! We are Giveaway Central at the moment! And this isn’t even the last one, so do stay tuned.

It’s an exciting day when the book you’ve contributed to arrives. You open it at your page to feel a surge of recognition followed by mingled joy and disbelief. Small wonder that authors often refer to books as their children; the parallels with gazing at your own baby for the first time are obvious. Though I’m not really the parent here. More of a distant cousin. Anyway, that happy day came a few weeks ago when my contributor’s copy of Mend it Better (subtitled Creative Patching, Darning, and Stitching) by Kristin M. Roach plopped onto the doormat.

I was delighted to be picked for inclusion in Mend it Better back in the spring of 2011 because mending is a subject very close to my heart. There are issues on which the world divides cleanly into two mutually exclusive halves. We have the lovers and the haters of marmite, the watchers and the non-watchers of The Apprentice, and then we have the menders and the non-menders. It seems that you either get the concept of mending, thrift, recycling, conservation etc or you don’t.  Long ago I had a very interesting discussion with a friend who didn’t get it at all; in fact, she found people who upturn their washing-detergent bottles (in order to extract that last little drop) positively repugnant: “cheese-paringly mean” was, I think, the term she used.  As a fairly compulsive bottle-drainer myself, I felt a little jarred by the strength of her feelings on this point. I can’t quite remember how the conversation progressed from there, but there was probably a tumble-weed moment.

The rift between the two camps can be explained (at least partially) by the moral high-ground implicitly adopted by the thrifty, possibly imagined by the non-thrifty and felt by them as an unspoken rebuke. Most of us really don’t like shoulds and musts and uncomfortable being-told- what- to- dos, even if they are not actually uttered. Sometimes the mere presence of people doing-the-right-thing is enough to set off the won’t-do-it-and-you-cant-make-mes. Back in the old days, we used to call this ‘conscience’. Me, I quite like conscience. I think it can be telling us something useful. But I digress.

Into the gaping chasm between the thrifty and resolutely non-thrifty ( I see it rather like the Grand Canyon!) Kristin M. Roach rides, cheerfully a-whistlin’ a tune. Her panniers are full of  jaunty calico iron-on patches, prettily painted darning eggs, shiny skeins of embroidery silk and boundless enthusiasm. With these she can charm the birds from the trees (or do I mean cacti?) and persuade even the most militant non-mender that mending might be OK. Fun even.

The first thing that strikes you about Kristin’s book is how neat and tidy it is. The small scale — just 18.5cms x 21cms — is genuinely handy, perfect to slip into the mending bag. It’s purse-friendly too at just $18.95/£12.99. The book is laid out very appealingly; check out the perky appliqué fabric-letter graphics and the vintage sewing effects peppered throughout. This pretty book functions beautifully as a call-to-mend, with joy and creativity the main flavour and just the subtlest hint of virtue as an after-taste. As Kristin’s site says, ‘With Mend It Better, every garment and fabric repair is a chance for self-expression and fabulous creations.’  Yeah, the creativity card might just win it!

Title page

And now for the nitty gritty:

Who is the author? Kristin M. Roach lives in Ames Iowa, is a Bachelor of Fine Arts (Northern Illinois University) and she started writing her blog Craft Leftovers in 2006 as a way of keeping on top of her craft supplies — using up what she had rather than buying new. It’s a great source of inspiration for making the best of what’s already to hand.

What’s in the book? After a sweet introduction (in which Kristin pays homage to the significant sewing females in her family) there’s a brief foray through the evolution of sewing (which is possibly extra to requirements but enjoyable all the same) before Kristin tackles the basics. How do you assess if a piece is worth saving? What do you need in your essential mending tool kit? This includes instructions for a mending bag and upcycled tool clutch (see below). What basic stitches will you need? – both hand and machine. These can then be practised to make a cute needle book.

Mend it Better contents page

Next come all sorts of inspirational projects, each setting out a particular method or type of repair. As well as showing her own makeovers, Kristin has curated often bold and inspirational mends from other crafters, including Susan Beal, Rachel Beyer, Deb Cory, Carina Envoldsen-Harris, Crispina ffrench, Jennifer Forest, Diane Gilleland, Pam Harris, Marisa Lynch, Francesca Mueller, Cal Patch, Stacie Wick and Sherri Lynn Wood. Additional contributors are Caitlin Stevens Andrews, Maja Blomqvist, Cathie Jo, Ágnes Palkó, Megan PedersonLeah Peterson, Jamie Smith, and Yours Truly. Areas covered include: patchwork (including Leah Peterson’s  gorgeous reverse applique shown below),  seam fixes,  secret pockets, clever ways to adjust hems, waistband repairs, darning (by hand and machine, and an ingenious way to make your own darning egg using a wooden egg and a Shaker-style peg), fasteners, zip replacements, handling fancy fabrics, and decorative embellishments (including applying beads round a moth hole to create a flower motif).

Who will the book work best for? Kristin has clearly worked hard to make this an inclusive book, and I think it will work both for the absolute sewing newbie (who needs guidance through even basic stitches) and the more seasoned sewist (who can flip past that). Because it’s aiming to appeal to a wide audience, it crosses into the territory of some broader sewing manuals (such as this excellent one from Ruth Singer), but mostly includes what is relevant. I fear that it would frustrate someone expecting to find a lot of fancy hand-stitches as the ones included are fairly basic. I love the first few sewing projects which include a bag to hold your mending (upcycled from a damaged tablecloth) and a mending kit to hold your scissors, needles, marking gauges etc (upcycled from a felted sweater). Kristin conceived it as a book you can dip in and out of as necessary, whether you want to sew on a button or fit a hidden pocket.

Most inspiring mends? For me, it’s the reverse appliqué patching. I also liked the machine-darned jeans on the opposite page. Both are beautiful. There are a few other mends featured which go well beyond the purely practical and are aptly described as devotional. I also loved the crocheted sock darning done with oddments of yarn. It looks stunning, appears to be very robust, and I can’t wait to give it a try.

Mends by Leah Peterson and Jamie Smith

I must mention in passing that though I really loved Kristin’s make-your-own darning egg project (using a wooden egg and that Shaker peg) which she includes because she says they’re hard to find in the US, darning mushrooms etc are fairly commonplace  over here in the UK. You can also buy vintage ones at a certain Etsy store.

My contribution to the book was a mended apron (which you can see over on my In Print page). It wasn’t done for the book  – can’t you tell? – but was a favourite of mine I’d fixed. It’s not what I’d call exciting but its mother loves it.  And that’s one of the points Kristin makes; unless very ragged, something is worthy of fixing if you happen to cherish it, for whatever reason.

We may be stuck with a pretty dodgy economy for some time, and I doubt that spending our way out of it will be the answer — wasn’t that what got us all into this mess in the first place? Most of us will have to tighten our belts and take our dose of thrift as palatably as possible. Happily,  Mend it Better helps the medicine slide down.

OK, I’m convinced. Where can I buy it? Look for it at your local bookshop, and please ask, if you can’t find it. If you’re within spitting distance of me, I have a few copies available so email me. If you’re a bookstore or making establishment in the UK and would like to stock copies, get in touch with Melia Publishing Servcies. You can also get a signed copy direct from Kristin.

And finally to the giveaway! I’m really thrilled that the nice people at Storey Publishing (here’s their Facebook page, by the way) have offered to send a FREE copy of Mend it Better to one of my fortunate readers. The offer applies to readers in the US and UK only so if you’re hoping to learn to mend elsewhere, I’m sorry to disappoint. To enter, please leave a comment below. You can tell me what you have that needs mending, if you wish. A detached button? A tear to a precious dress? The knees of your favourite jeans? I’d also love to hear about any encounters you’ve had with the non-mending, thrift-intolerant portion of the population. But there’s no right answer, and a winner will be picked entirely at random. Entries close at midnight on Sunday 1st April, and the winner announced here on the blog on Monday 2nd April. Good luck!

 

 

 

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