Tagged: buttons

Mar 04

Come to a Craft-Tea Party!

 

 

If you’re pushed for a Mother’s Day/Mothering Sunday* gift and live in Bath, I can help.

The Craft-Tea Party happens in Green Park Station this Saturday 9th March, 2-5pm. It’s organised by Oxfam Bath and timed to celebrate International Women’s Day (8th March).

Craft-Tea Party poster

 

I’m running a series of mini-workshops at 2pm, 2.45pm, 3.30pm and 4.15pm (half an hour each) to make a gorgeous flower brooch from upcycled felt. The £5 fee will go entirely to Oxfam as I’m donating my time and materials.

Here’s the felt we’ll be using. It’s lovely thick stuff, culled from endless sweaters, cardigans and scarves gleaned in numberless charity shops then boiled in my washing machine and steam pressed. Yes, a complete labour of love!

Felted garments

Part of the Scrapiana upcycled felt library

 

And here are samples of some of the loopy brooches we’ll be making. They can be loosely sprawling, dense and tight, single colour, variegated, buttoned or not buttoned, but each holds a charm.

Loopy corsages

Loopy flower brooches

 

Best of all, these loopy flowers are surprisingly simple and fast to make. They just need a little careful cutting (I have various sizes of scissors for big and little hands) and require a little hand-sewing, though I minimise this for those who find needle-and-thread stressful. I made these (and some other felt flowers) with the Bath WI last week and we had a really fun, highly productive evening. Here’s a write-up from fellow craft blogger and WI member Sue. I’m so glad to have pepped up her week and brought a smile to her face – that means such a lot.

Anyway, £5 isn’t much of an outlay to hit two birds with one stone, donating to the brilliant Oxfam cause and making something for your lovely ma. Better still, bring your mum along and keep her busy close by with some tea and cake (served on vintage crockery, of course) while you make her a surprise. You’ll have to tell her not to peek, but the sumptuous cakes on offer should provide sufficient distraction.  So, here’s how you book a space, to avoid disappointment. Hope to see you there!

 

PS If you don’t have a mum (and so many of us don’t), do please come make a flower for yourself, or for a lovely female relative or friend whose nurturing spirit you appreciate.

 

*which, in the UK, falls on 10th March 2013 this year

 

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Jun 13

Curiously Enough

 

Textile artists’ group Brunel Broderers has an exhibition entitled Curiously Enough running at Ruskin Mill, 1 Mill Bottom, Old Bristol Road, Nailsworth, Gloucestershire, GL6 0LA. It finishes tomorrow, Thursday 14th (note: closes 1pm on final day, otherwise 5pm). If there’s any way you can nip along to it, I’d recommend it. Here’s a glimpse from my visit yesterday.

Susi Bancroft patchwork artSusi Bancroft piece from Curiously EnoughFrom Curiously Enough exhibition, Ruskin Mill

 

 

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Mar 22

Mend It Better review and giveaway!

My! We are Giveaway Central at the moment! And this isn’t even the last one, so do stay tuned.

It’s an exciting day when the book you’ve contributed to arrives. You open it at your page to feel a surge of recognition followed by mingled joy and disbelief. Small wonder that authors often refer to books as their children; the parallels with gazing at your own baby for the first time are obvious. Though I’m not really the parent here. More of a distant cousin. Anyway, that happy day came a few weeks ago when my contributor’s copy of Mend it Better (subtitled Creative Patching, Darning, and Stitching) by Kristin M. Roach plopped onto the doormat.

I was delighted to be picked for inclusion in Mend it Better back in the spring of 2011 because mending is a subject very close to my heart. There are issues on which the world divides cleanly into two mutually exclusive halves. We have the lovers and the haters of marmite, the watchers and the non-watchers of The Apprentice, and then we have the menders and the non-menders. It seems that you either get the concept of mending, thrift, recycling, conservation etc or you don’t.  Long ago I had a very interesting discussion with a friend who didn’t get it at all; in fact, she found people who upturn their washing-detergent bottles (in order to extract that last little drop) positively repugnant: “cheese-paringly mean” was, I think, the term she used.  As a fairly compulsive bottle-drainer myself, I felt a little jarred by the strength of her feelings on this point. I can’t quite remember how the conversation progressed from there, but there was probably a tumble-weed moment.

The rift between the two camps can be explained (at least partially) by the moral high-ground implicitly adopted by the thrifty, possibly imagined by the non-thrifty and felt by them as an unspoken rebuke. Most of us really don’t like shoulds and musts and uncomfortable being-told- what- to- dos, even if they are not actually uttered. Sometimes the mere presence of people doing-the-right-thing is enough to set off the won’t-do-it-and-you-cant-make-mes. Back in the old days, we used to call this ‘conscience’. Me, I quite like conscience. I think it can be telling us something useful. But I digress.

Into the gaping chasm between the thrifty and resolutely non-thrifty ( I see it rather like the Grand Canyon!) Kristin M. Roach rides, cheerfully a-whistlin’ a tune. Her panniers are full of  jaunty calico iron-on patches, prettily painted darning eggs, shiny skeins of embroidery silk and boundless enthusiasm. With these she can charm the birds from the trees (or do I mean cacti?) and persuade even the most militant non-mender that mending might be OK. Fun even.

The first thing that strikes you about Kristin’s book is how neat and tidy it is. The small scale — just 18.5cms x 21cms — is genuinely handy, perfect to slip into the mending bag. It’s purse-friendly too at just $18.95/£12.99. The book is laid out very appealingly; check out the perky appliqué fabric-letter graphics and the vintage sewing effects peppered throughout. This pretty book functions beautifully as a call-to-mend, with joy and creativity the main flavour and just the subtlest hint of virtue as an after-taste. As Kristin’s site says, ‘With Mend It Better, every garment and fabric repair is a chance for self-expression and fabulous creations.’  Yeah, the creativity card might just win it!

Title page

And now for the nitty gritty:

Who is the author? Kristin M. Roach lives in Ames Iowa, is a Bachelor of Fine Arts (Northern Illinois University) and she started writing her blog Craft Leftovers in 2006 as a way of keeping on top of her craft supplies — using up what she had rather than buying new. It’s a great source of inspiration for making the best of what’s already to hand.

What’s in the book? After a sweet introduction (in which Kristin pays homage to the significant sewing females in her family) there’s a brief foray through the evolution of sewing (which is possibly extra to requirements but enjoyable all the same) before Kristin tackles the basics. How do you assess if a piece is worth saving? What do you need in your essential mending tool kit? This includes instructions for a mending bag and upcycled tool clutch (see below). What basic stitches will you need? – both hand and machine. These can then be practised to make a cute needle book.

Mend it Better contents page

Next come all sorts of inspirational projects, each setting out a particular method or type of repair. As well as showing her own makeovers, Kristin has curated often bold and inspirational mends from other crafters, including Susan Beal, Rachel Beyer, Deb Cory, Carina Envoldsen-Harris, Crispina ffrench, Jennifer Forest, Diane Gilleland, Pam Harris, Marisa Lynch, Francesca Mueller, Cal Patch, Stacie Wick and Sherri Lynn Wood. Additional contributors are Caitlin Stevens Andrews, Maja Blomqvist, Cathie Jo, Ágnes Palkó, Megan PedersonLeah Peterson, Jamie Smith, and Yours Truly. Areas covered include: patchwork (including Leah Peterson’s  gorgeous reverse applique shown below),  seam fixes,  secret pockets, clever ways to adjust hems, waistband repairs, darning (by hand and machine, and an ingenious way to make your own darning egg using a wooden egg and a Shaker-style peg), fasteners, zip replacements, handling fancy fabrics, and decorative embellishments (including applying beads round a moth hole to create a flower motif).

Who will the book work best for? Kristin has clearly worked hard to make this an inclusive book, and I think it will work both for the absolute sewing newbie (who needs guidance through even basic stitches) and the more seasoned sewist (who can flip past that). Because it’s aiming to appeal to a wide audience, it crosses into the territory of some broader sewing manuals (such as this excellent one from Ruth Singer), but mostly includes what is relevant. I fear that it would frustrate someone expecting to find a lot of fancy hand-stitches as the ones included are fairly basic. I love the first few sewing projects which include a bag to hold your mending (upcycled from a damaged tablecloth) and a mending kit to hold your scissors, needles, marking gauges etc (upcycled from a felted sweater). Kristin conceived it as a book you can dip in and out of as necessary, whether you want to sew on a button or fit a hidden pocket.

Most inspiring mends? For me, it’s the reverse appliqué patching. I also liked the machine-darned jeans on the opposite page. Both are beautiful. There are a few other mends featured which go well beyond the purely practical and are aptly described as devotional. I also loved the crocheted sock darning done with oddments of yarn. It looks stunning, appears to be very robust, and I can’t wait to give it a try.

Mends by Leah Peterson and Jamie Smith

I must mention in passing that though I really loved Kristin’s make-your-own darning egg project (using a wooden egg and that Shaker peg) which she includes because she says they’re hard to find in the US, darning mushrooms etc are fairly commonplace  over here in the UK. You can also buy vintage ones at a certain Etsy store.

My contribution to the book was a mended apron (which you can see over on my In Print page). It wasn’t done for the book  - can’t you tell? - but was a favourite of mine I’d fixed. It’s not what I’d call exciting but its mother loves it.  And that’s one of the points Kristin makes; unless very ragged, something is worthy of fixing if you happen to cherish it, for whatever reason.

We may be stuck with a pretty dodgy economy for some time, and I doubt that spending our way out of it will be the answer — wasn’t that what got us all into this mess in the first place? Most of us will have to tighten our belts and take our dose of thrift as palatably as possible. Happily,  Mend it Better helps the medicine slide down.

OK, I’m convinced. Where can I buy it? Look for it at your local bookshop, and please ask, if you can’t find it. If you’re within spitting distance of me, I have a few copies available so email me. If you’re a bookstore or making establishment in the UK and would like to stock copies, get in touch with Melia Publishing Servcies. You can also get a signed copy direct from Kristin.

And finally to the giveaway! I’m really thrilled that the nice people at Storey Publishing (here’s their Facebook page, by the way) have offered to send a FREE copy of Mend it Better to one of my fortunate readers. The offer applies to readers in the US and UK only so if you’re hoping to learn to mend elsewhere, I’m sorry to disappoint. To enter, please leave a comment below. You can tell me what you have that needs mending, if you wish. A detached button? A tear to a precious dress? The knees of your favourite jeans? I’d also love to hear about any encounters you’ve had with the non-mending, thrift-intolerant portion of the population. But there’s no right answer, and a winner will be picked entirely at random. Entries close at midnight on Sunday 1st April, and the winner announced here on the blog on Monday 2nd April. Good luck!

 

 

 

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Jun 16

Button film

My attention span is perfectly suited to short, cute films at the moment — being currently like a small rabbit mesmerized by the media headlights — so what a delight it was to be sent this one by the thoughtful Becky Button (who also mailed me, unasked, this load of strawberry-suitable scraps last week, along with some bespoke Scrapiana lettering she’d made – you star, Becky!). The routine kindness of the crafting community is breathtaking.

Strawberry gift from Becky Button

Gifts from Becky Button

Just before you watch, I must tell you that I’ve posted a new Classes page here. Do check it out for details of the Vintage Strawberry Workshops I’m teaching this summer, and keep returning for news of other upcycling classes going forward.  I now have a dedicated Facebook page for Scrapiana and have foolishly given up tea until my ‘like’ total reaches 100. At time of writing I was stuck at 78, so please take pity on poor uncaffeinated me.

The following short film is a treasure of stop-motion animation. And there are buttons. Lots of them. Enjoy!

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May 17

Sock it to me

The humble sock is a wonderful thing. I’ve appreciated wearing socks for about as long as I’ve stood on my own two feet, but I’ve only just fallen in love with them as a creative medium. This is all thanks to Imogen Harvey-Lewis who was leading a sock creature workshop last weekend at the Stroud International Textiles festival. I still have trouble keeping a straight face when mentioning SIT, because ‘Stroud’ and ‘International’ are strange words to put together, at least for the average English ear. However, Stroud has every reason to be proud of its awesome textile heritage (Cotswold wool), and the festival, now in its 6th year, is garnering a formidable reputation amongst those who know about cloth, fabric and thread-based things.

Sock owls

Imogen Harvey-Lewis's Soon owls

Imogen is an illustrator and one-time stained glass restorer (she worked on some of the windows in Gloucester Cathedral) and her strong sense of line informs the way she approaches sewing. She started making sock creatures a couple of years ago inspired by this enchanting book. Daunted by the ‘correct’ sewist approach to creating 3-D forms, Imogen simply began to draw her creatures, first with a soft pencil, then with a needle (either by hand or using an old treadle  Singer sewing machine) straight onto the sock. She has figured out her own technique by trial and error and the resulting method is inventive, quirky and really refreshing.

Sock cat

Soon sock cat by Imogen Harvey-Lewis

Sewing just as she draws, Imogen’s dogs, elephants and cats, for example, have four legs all in a line rather than two one side, two the other in a more anatomically correct style. What is helpful about working with a knitted sock in this way is that, once stuffed, it yields and stretches – sometimes a little unpredictably but always adding  curves and interest to the simply drawn flat figure.

Soon-making workshop

Soons in progress

Imogen has given her quirky sock creatures the generic name ‘Soon’.  She can’t really explain why: it was just a name that appealed. I suggested to her that they were fairly quick to make, so ‘soon’ was fitting for that reason. It also has a slightly wistful quality which suits (I almost wrote ‘soots’) these characterful creations so well. Many of them do look as if they need to be loved. And soon.

Our workshop group began by making a simple owl from part of a toddler-sized sock. With this we mastered the basics of managing the sewing tension on a stretchy sock, remembering to leave a little hole to turn and stuff our owls (guess which one of the class forgot this [blushes]), filling our creature with beaded pellets (making sure not to over-fill our endlessly stretching socks), selecting and sewing on eyes (4-holed buttons give a wide-awake look, 2-holed ones a sleepy one), and embroidering a beak. This last element was possibly the hardest of all as not pulling the beak too tight was unexpectedly tricky.

A handful of sock owls

Imogen's owls (grey), workshoppers' owls (blue)

Then we moved on to more complex creatures, such as rabbits, cats, dogs and elephants.

Sock dogs

Imogen's mongrel Soon Woofs

We’d been advised to bring along old socks, which I had plenty of. However, once at the workshop I soon (Soon!) realised that it would be a waste of effort to upcycle a really tatty old sock into one of these delightful creatures. Also, the designs often make full feature use of the heel and toe gusseting, so an old sock thinning in the usual areas wouldn’t work well at all. Imogen looks out for interesting new socks everywhere (supermarkets etc), and only uses new for the Soons she sells to the public as she thinks (rightly, I’d guess) that people will not want to buy used ones. Soons made for family members are another thing.

Never one to pass up an upcycling opportunity, I managed to make a Soon dog from one of  my old socks, though frankly I feel he’s a bit of a rough mutt next to Imogen’s fresh-from-the-packet versions (he’s proving camera-shy, by the way – I haven’t managed to take a decent picture of him yet). This leaves me with a bit of an upcycler’s dilemma as I’d really rather not go buying new socks to turn into Soons. Principles can be so inconvenient. Still, it’s nice to add another method to the growing battery of Scrapiana upcycling skills: I could upcycle an old sock into a sock creature even if I choose not to.

Imogen sells her enchanting Soons at Stroud Farmers’ Market plus via a few select outlets in Bristol etc and is currently exploring options to sell online. You can contact Imogen here for further information. Meanwhile, the Stroud International Textiles festival continues until Sunday 22nd May.

Sock elephant

Elephant Soon

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Mar 21

Scrap of the week #13

This week’s scrap started out as a skirt. I found it in a local charity shop where the gorgeous Liberty Tana Lawn Glenjade fabric jumped out at me from twenty paces.

What made it unpromising to wear (dowdy A-line cut) makes it a great candidate for upcycling (that flare means lots of fabric). Most importantly, the fabric still had a huge amount of life in it, with colour that was still very fresh and strong. The chief flaw was a prominent black ink stain,  presumably the reason for it winding up in the charity shop in the first place. This fabric costs upwards of £12 a metre new, by the way (£19.95 if you buy from Liberty) so I snapped this baby up. It’s also an unusual colourway: a slightly salmony pink (brighter than the photo) which I haven’t seen elsewhere.

Indelible stain

Innocent skirt, minding its own business

In case you think it a little unseemly to take apart perfectly good clothing willy-nilly, I feel I should add that I did try to get the stain out first. Dismantling with my trusty seam-ripper only began when the mark wouldn’t budge. Actually, I probably would have taken it apart anyway as I do love Liberty lawn; it’s a silky-soft finely woven cotton printed in tender little patterns (mostly) which is probably my favourite fabric of all time. I have stockpiled several second-hand shirts made from it (like this and this) by Comfy-Cotswold-style clothing retailers. I plan to dissect them without any qualms at all. Just so you know.

As with so many of the Liberty lawn designs, this leaf pattern works really well in small quantities – a little goes a long way – so I’m making various small-scale items with it. To date I’ve made fabric-covered buttons and bias binding (I’ll have some of these for sale at the It’s Darling! Spring Fair on Saturday) and I’ve also made a mystery item. I’m bursting to tell you more about it, but am not allowed. Yet. Do watch this space!

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Mar 14

Green shoots

According to those in the know, we’re hurtling at full tilt towards Bath’s big spring event: the It’s Darling! Spring Fair on Saturday 26th March.

Excitingly, this will be It’s Darling!‘s first spring fair, and it takes place in the midst of the Bath in Fashion festival, though happily no ticket is required to get into ID! If you’ve been to the other It’s Darling! Vintage & Handmade Artisan Fairs (note the re-brand), the venue will be roomier this time: the Friends’ Meeting House, just across from the Abbey, past the benches and buskers -  if you can make it past the SF Fudge Factory.

Yes, I’ll be there all day, toting vintage fabrics, old cotton reels, ric-rac, and Mother’s Day treats galore!

Vintage Fabric

Get your spring greens

I’ll have some particular gems for fashionistas too: vintage silk scarves, brooches, buckles, buttons, as well as the odd eiderdown and… well, you’ll have to come along and see for yourself. If you’re planning a full girl’s day out, don’t forget the Marilyn: Hollywood Icon exhibition, just opened at the American Museum. And you could take a peek at the Behind the Scenes expo at the Fashion Museum. Hope to see you then!

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Mar 01

Mimi’s Fresh Fish

I’ve been itching to make Mimi Kirchner‘s Fresh Fish pattern since I bought it from her Etsy store in January. I finally got a chance to play with it at the weekend, prompted by a Piscean member of the family’s birthday this week.

Fresh Fish pattern

100% upcycled fish from Mimi Kirchner's pattern

Mimi fully deserves your custom so I won’t divulge too much about the making. I’ll just say that it’s a thorough pattern. And Mimi’s experience of using recycled elements (pre-felted woolen garments etc) fundamentally informs her approach, so if you’re motivated to recycle old materials in a way that exploits their full creative potential, you should get right over to Doll, Mimi’s blog, without delay. I first became aware of Mimi’s work when I saw one of her kitty series and was blown away by what she managed to make from a straightforward old sweater. Her latest series of  tattoed ladies, made with dyed-over old toile de Jouy (of all things), is a triumph. She invests such personality into all of them.

I can divulge that you actually get two sets of pattern pieces for the price of one with Fresh Fish: one for stretchy materials, one for regular woven fabric (furnishing fabrics or medium-weight cottons). Both types of fish are well featured on the Flickr Fresh Fish group. I was going for the stretchy version; the fins are the things that need a lot of give, and my merino wool sweater met that brief perfectly. I worried that I might have picked something too stretchy for the main body section, but my choice worked out just fine.

Tail close-up

Fish tail

Something went awry when I cut out the bottom fins – they ended up angled in the wrong direction. I also slipped into auto-pilot part way through and forgot to read the instructions somewhere around the fins, so I didn’t sew the edges together as I think I should have done. This has made them a bit more fluffy and feathery, but I like that. Just as with cooking, the real art of sewing is knowing how to rescue a project when it starts to go pear-shaped.

I cheated right at the end as I didn’t use the recommended felt backing for the eye. Nor did I stitch on a mouth. I could say that I didn’t want to gild the lily, but in truth I simply felt I could get away without adding them. Now that I’ve looked through the Flickr group of fish made using Mimi’s pattern, I wonder if the pale blue cloudy eye on this one doesn’t make him look like he’s a lot less fresh than he might be. He definitely has a distracted, otherworldly, head-in-the-clouds quality which happens to suit the recipient right down to the ground.

Fishy reading

Fish head

What really pleases me is that this fish is entirely upcycled and/or vintage. 100%. Even the stuffing was an old synthetic pillow which had wadded into an unpromising non-pillowish lump in the wash (I know,  I know, the things I hang onto…). I’ve mentioned the fabric (old sweaters) already. The buttons were old (they don’t actually match – poor fish has one eye a little bigger than the other, but don’t we all, and you only see one at a time anyway). All the threads used are at least 20 years old too.

And here is our cat, oblivious to her potential catch. I’ll bet she has this video and song running in her dreams. [Song itself kicks in about 2 minutes in; it's worth wading through all the preliminary surreality, even if you'll be humming the tune for days. Sorry!]

The one that got away...

The one that got away

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Feb 26

Woollyherb

Woollyherb, Maggie Jarman

Woolyherb held by its creator, Maggie Jarman

I was really excited to see my friend Maggie’s quilt (above) featured in March’s edition of British Patchwork & Quilting. It’s in an article by Khurshid Bamboat about the Dulwich Quilters’ 2010 Exhibition. Here’s what Khurshid said:

‘Woollyherb’ by Maggie Jarman kept drawing me back. Maggie had cut small coloured felt squares, applied them on to black net and felt and sewed different coloured and shaped buttons on to the squares. It wasn’t a big piece – but it was beautifully proportioned and stunning.

Unfortunately, the images weren’t terribly clearly reproduced in the magazine, but I happened to have these shots in my camera, having met up with Maggie last month.

Woollyherb by Maggie Jarman

Woollyherb, flat

These weren’t exactly studio conditions: we were in a high-street pizza-chain restaurant and the garlic bread was on its way.

Woollyherb by Maggie - detail

Woollyherb close-up

I love Maggie’s delicate placement of colour, button and stitched detail. Maggie used all sorts of threads and yarns that she happened to have lying about. She also confessed to leaving in some of the tacking stitches (see above) which really adds to the charm.

Woollyherb by Maggie - detail

Woolyherb detail: felt, flowers & leaves

I also love that the felt used is ‘real’ felt – real to me being the home-fulled variety, rendered from old wool garments. And that many of the buttons are one-off vintage finds: a great way to empty that button jar. This would make the grooviest upcycled scrap project and is really quite achievable even for a beginner stitcher. There are no seams in it, for one thing. This qualifies as ‘a quilt’, incidentally, because it’s constructed of  three layers anchored together with stitching; to dyed-in-the-wool quilters these things matter. To make such a gorgeous piece it helps to have an impeccable artist’s eye, and Maggie has just that. As you may have guessed from the name, the colours of this piece were inspired by rosebay willowherb, a wild plant which you’ll probably recognise as a weed in your garden.

I’m astonished and delighted to calculate that Maggie and I have known each other for over 30 years. She was the first person I ever met who had a proper, vibrant sense of colour; she’s is also the only person I know who is utterly unafraid to wear orange. We always have exciting meet-ups: full of fabric talk, colourful observations, extraordinary recipes, and technical note-sharing. I came away last time with a small rotary cutter (thanks, Maggie!).

Maggie has also been known to teach screen-printing and other exciting artistic endeavours to both adults and children. If you’d like to contact her about that (she’s great fun!) or to a commission a piece, do drop me a line and I’ll be happy to put you in touch.

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Dec 14

Its Darling! Christmas Fair

Wow! What a weekend! I had an amazing time at the fair, despite the best sabotaging efforts of my cold virus. The Guildhall makes a wonderfully sedate, genteel, rather wedding-cakey backdrop (I’ve attended a wedding in that very room, now I come to think of it), and Becky and Catherine did a great job organising everything – as well as their own stalls. I tip my imaginary bonnet to them both. My experience of fairs isn’t vast, but this seems to be an extremely good-natured and genial one.

The view from my stall

I had the same spot as in July, which was somehow reassuring, and found myself next to Faith Barber of Something Fabulous again, and her luscious display of jewel-coloured capelets, purses, corsages and slips.

I was trying to get some height into my display and also leave some air between my items (I have the same problem when I put together a publication – the urge to inform tends to crowd every corner) . The fake goose-feather trees were perfect for that. Something possessed me to obtain two sets – a green one and a white one, so I decided (rashly) that a change of colour between the Saturday and the Sunday would be a good idea. I went from trad Christmas green/red Saturday to more girly pink/pearly white on the Sunday. You’re obviously looking at my pinky-white Sunday garb above.

I wanted a banner, and possibly something bunting-ish. I didn’t have time to make the latter, but did my Make Do & Mend version of the former with plain printed letters on thin card pegged to an impromptu laundry line slung from some old wooden stepladders (handy for displaying vintage scarves and eiderdowns). A friend laughed like a drain when I pointed out what might have happened if the S and final four letters (i, a, na) had slipped from their pegs… Happily, I was spared such a Ratner moment. It was possibly just a bit too Steptoe & Son, or Open All Hours (especially the paint-spattered platform of my taller ladder), but no matter. I even had a Granville turning up periodically (i.e. my ten-year-old son) to “help” me (i.e. look bored and pester me for money to buy vintage garb from the other stallholders).

Lots of friendly faces turned up to grace me with their custom (you know who you are – thank you heartily!), and virtual friends came too – I was surprised how many times the phrase “I follow you on Twitter!” was uttered. One of the most gratifying compliments was the blog-reader who said: “Your stuff looks just like it does in the pictures!” – i.e. just as good. I do love to meet new people and natter, usually about the current state of darning, or what was in their grandma’s button box, or the beauty and tactile pleasure of wooden cotton reels, or almost anything else, really. So I was in my element.

I’m having trouble loading pictures onto my blog today – perhaps my server has a cold too – but more pictures of my stall (and Faith’s adorable capelets) can be found amongst my Flickr pics here. Becky’s Flickr photos have quite a few shots of my stall too.

PS To the gentleman who, I think, bought a packet of buffalo buttons but left them behind, do get in touch and I’ll mail them to you.

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