Category: Vintage bedding

Nov 29

Scrap of the Week #7

It’s the final countdown to Little Scraplet’s school Christmas fair this weekend, and I’m making as many blanket hearts as I can. The blanket in question was an old family one which was too far gone to be mended, so I decided its time was up: it was curtains for the blanket.

Blanket heart construction

Heart-making in progress

I gave it a good boil-wash before starting, then steam-pressed it. My template is a cookie cutter: no point reinventing the wheel.

I’ve been experimenting with different threads (embroidery floss, mohair, crochet cotton) with pleasing results; I really like the way pink mohair looks – it lifts the rather spartan blanket-weave – but haven’t taken shots of those hearts yet. The ones pictured use half a length of 6-strand embroidery cotton (so three strands) just out of habit; that’s how I was shown to used embroidery floss as a girl. The needle I used is a tapestry one, partly because it’s blunt (I may be showing kids how to make these), partly because it has a large eye to accommodate thick yarn. It gets through the rather loose weave of the blanket pretty well, though I think I’d prefer a chenille needle, with a large eye (like a tapestry) and with a pointed end.

Lavender stuffing

Stuffing with lavender

The loop is old linen upholstery string I had lying around. I knot the length of string and sandwich it between the two blanket hearts, cinching it in place with my first blanket stitch. Once I’ve blanket-stitched most of the way round, I teaspoon in the lavender stuffing before finishing off. There’s probably an easier and more efficient way, but this is mine.

Completed scrap heart

All done

A little rough and ready, though not without charm. They can decorate the Christmas tree, or go over a hanger to keep clothes fresh and moth-free. I hope the kids (and their parents) like them.

Before I go, I must tip my hat to the hugely talented Lisa who creates the most beautiful upcycled woollen hearts and who inspired me to have a go too, even if mine are a far cry from the perfection she manages to achieve.

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Nov 13

Linen: 100 days of thought

I made the happy discovery a little while back that I’m descended from a 17th century North European linen weaver. It’s pathetically atavistic, I know, but I like to indulge myself with the notion that I can’t help it: my blood simply appreciates fine linen and any resistance is futile. I’m drafting a letter to this effect for my bank manager.

Vintage linen sheet label

Vintage linen sheet

Fashion Incubator has brought me something rather wonderful, and not for the first time this week; it was even in the same blog post as yesterday’s corduroy story. Despite its title, there’s nothing B about this little movie on the subject of linen. It brings such wonderful words: ‘retting’ (softening by soaking in water or exposing to moisture) and ‘scutching’ (dressing by beating). And if you’ve ever wondered where the phrase ‘flaxen-haired’ originated, all will be revealed. Prepare to be riveted by its beauty.

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Nov 04

Temporary spool

I’m throwing myself into World War II re-enactment mode. My son will be dressing up as an evacuee tomorrow with the rest of Year 6 at his primary school. I’ve booked him in at the barber’s for a short-back-and-sides this afternoon. There’ll be a brown label round his neck – held on with green garden twine – and he’ll be wearing some old wire spectacles, a hand-knit sweater (shame it’s not a fair-isle tank-top), short trousers (which he hates) and he’ll be grasping an old leather suitcase and his teddy for dear life.  I’m supposed to dress up appropriately in order to wave him off, chipper and bright, with not a tear shed. Keep the home fires burning…

I have quite a few war items of haberdashery which I hope to show the kids, but I thought I’d give you a sneak preview.

Make do And Mend

Make Do And Mend, reproductions of official WWII instruction leaflets, Michael O'Mara Books, 2007

Nothing flashy or majorly propagandist. No images of Hitler or reminders to keep your trap shut while you’re darning. But some good, honest examples of the austerity environment, and how ingenious manufacturers managed to reduce packaging while not skimping on the quality or quantity of the product itself.

Temporary war spool

Coats' temporary war spool with its regular demob cousin

For example, the two Coats thread spools above carry the same amount of thread. I don’t know about you, but I am really tickled by the idea of a “temporary spool”; it holds the same surreal place in my affections as “vanishing day cream” or “universal primer”.

Wartime Sylko thread

Regular Sylko thread and austerity version

While Coats’ spools got taller and thinner – much like the average land girl, I would guess – Sylko’s spools got squatter. The boxes shrank, but still held 12 spools of 100 yards of thread, thanks to the clever folk at Dewhurst’s. Here I must add the disclaimer that I’m not entirely sure which war the smaller Sylko box was made during, so it might be even older. If anyone knows, do get in touch. There’s a picture of the wartime lettering on the side of the box here.

British Snap

Snap to fit, austerity style

The British Snap people had a geometrical field day, arranging their haberdashery into lines instead of triangles. If only today’s packagers would take note.

Little Scraplet will be carrying this authentic World War II blanket in his case.

War Emergency Temporary Spool

Grace's utility blanket

It belonged to my mother-in-law and has been in constant use since she had it as a girl. It still sports its wartime utility label, her girlhood name tag (in lovely red deco lettering) and evidence of mending. But I’ll come back to wartime mending another time. There are some more pictures of this blanket, not to mention more of my haberdashery, on Flickr. I’ll also come back to the great little Make Do And Mend book at a later date.

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Jul 12

Scrap of the Week #4

This floral spray comes from a 1950s eiderdown.

1950s eiderdown close-up

Floral spray from 1950s eiderdown

At least, it looks solidly 1950s to me, though I guess it could be 1940s, at a pinch. Unfortunately, there’s no label on it to give further clues.

Ruffled corner

Corner showing frilled edge

The fabric isn’t the usual eiderdown cotton; it has a canvas-type weave which has taken the print in an interesting way making it look almost as though it’s been painted on. The filling definitely isn’t synthetic, though what proportion of feather/down is in it I don’t know.

It’s a pretty piece, and one of the many things I’m hauling off to the It’s Darling! vintage & handmade fair on Saturday (have I mentioned that already…?).

Pink vintage eiderdown

Scalloped quilting

If I can get past the attention-seeking cat, that is.

Mittens & eiderdown

Mittens knows she sets off the dusty pink background perfectly.

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Jun 07

Scrap of the Week #2

Yes, it’s another eiderdown! I’m not getting anywhere close to my proper fabric stash yet.

Now, this looks 1920s or 1930s to me, but I’m not an expert on these items so if you have a better idea do let me know as I love to learn. The frill around the edge appears to be synthetic taffeta and is not the colour I would have chosen if I’d been on duty in the eiderdown factory that day, but nevermind. None of us is perfect.

Vintage geometric paisley

Vintage eiderdown with angular paisley pattern

This eiderdown also has an interesting quilting pattern and a central eyelet vent which I’ve read somewhere is a sign of quality.

Vintage paisley eiderdown

The whole eiderdown with its unusual quilting pattern

And, yes, I took this picture a couple of weeks ago; those white tulips are now long gone, though the white clematis is still flowering (just) on the apple tree.

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May 31

Scrap of the Week #1

It’s a bank holiday here in the UK, which requires more doing of nothing, or possibly a little light pottering in the garden, weather permitting (and it just about is).

So, I thought I’d kick off a new feature which won’t require much heavy lifting: Scrap of the Week. Here I’ll feature either a genuine fabric scrap, waiting to be made into something new, or an old piece of cloth still incorporated into an old item. Does that make sense?

The first item is a close-weave cotton and is still part of something old. It’s one of the eiderdowns I had endlessly airing on the line the other week. They certainly knew a thing or two about florals when this baby was made: I’m guessing 1950s, though this isn’t my speciality at all. I love the faintly visible mesh of what looks to me like faux-lace in the background. Anyway, enjoy!

Vintage floral eiderdown close-up

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