Category: Grand days out

Jan 13

Block Party

 

An exciting Crafts Council exhibition is going on tour. Block Party showcases craft inspired by the art of the tailor, and it looks amazing. I found this 2011 film, Negative Space by Frederico Urdaneta, totally compelling; it reveals the extraordinarily subtle intimacy of the bespoke pattern-cutting process and the awesome skills of the pattern-cutter.

We don’t throw away any of the cloth. We fold up every small part that could possibly be used in the making of the rest of the garment. So even those shapes you get to know really, really well — the bit you’ve cut out of an armhole, the bit that’s left at the top of the back where you’ve cut that out — so even all of those things are part of the process. It’s not just this piece here, it’s the negative space that it creates.”

Block Party opens at Smiths Row in Bury St Edmunds tomorrow and moves on to Kilkenny in March and Leicester later in the year.

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Dec 15

Christmas at War

I’m going to be making-do-and-mending with the Museum of Bath at Work this Saturday, helping them to celebrate a World War II-style Christmas. Pop by between 10am and 4pm on Saturday 17th and you’ll likely find me wreathed in brown-paper chains with a ton of darning mushrooms and other selected vintage notions, including some gorgeous Fair-Isle knitting patterns. The museum’s usual entrance fee applies, but you’re guaranteed to really get in the mood; re-enactment group the Blitz Buddies will be there, and I hear there will be music and dancing to make the experience come alive. Incidentally, this event kicks off the 70th anniversary commemorations of the Bath Blitz next year. Bath was bombed as part of the retaliatory Baedeker raids on 25th and 26th April 1942. You can find out more at the Bath Blitz Memorial Project. If you have memories of Bath during the war, the museum would be delighted if you’d come along on Saturday and share them.

The Christmas at War organisers have broken it to me gently that I’m expected to dress the part. I’ve decided to go land-girl style, sporting a Fair-Isle tank top. Fair-Isle knitting was a great way to use up stray odds and ends of yarn (one had to unpick worn-out knitted garments and re-knit) but its popularity during World War II possibly owes as much to an interesting rationing loophole: whereas knitting wool was rationed (two ounces of knitting yarn took one precious clothing coupon), mending cards not exceeding one ounce were exempt. Yarn producers cottoned on to this and duly produced mending cards in an array of colours to meet the demand. Cunning, eh?

Mrs. Sew-and-Sew darns

There were, of course, five Christmases celebrated while the nation was at war. The festivities of 1939 weren’t so different from those pre-war, though new blackout restrictions ended the sight of lit Christmas trees in front windows. Rationing hadn’t kicked in yet, and people spent quite freely on gifts, in spite of the Chancellor’s injunction not to be wasteful.

1940 was the first real wartime Christmas. Britain was under siege. The Blitz had kicked off in London in September, and November had seen the devastating bombing of Coventry. Food rationing had begun in January. Practical Christmas gifts were in: gardening tools, books, bottling jars and seeds, with the most popular gift that year being soap.

Clothing and textiles were rationed from June 1941, and food rationing increased to its peak by Christmas. Petrol and manpower shortages prevented home-delivery of shop goods, so people now had to carry their purchases. Wrapping paper was very scarce, and toys were in short supply and (when they could be found) shoddily made and expensive. Home-made or renovated gifts were the thing. Yet this was an optimistic time because, with the Allies now in the war, Brits felt they would definitely beat Hitler.

By Christmas 1942, two popular gifts had succumbed to the ration: soap and sweets. In order to prepare for the festive season, food coupons had to be saved for months ahead. Homemade decorations were the order of the day; the Ministry of Food made the helpful suggestion that, though there were ‘no gay bowls of fruit’, vegetables could be used instead for their jolly colours: ‘The cheerful glow of carrots, the rich crimson of beetroot, the emerald of parsley – it looks as delightful as it tastes.’

Christmas 1943 saw shortages at their height. There was little chance of turkey, chicken or goose, or even rabbit. Much Christmas food was ‘mock’ (i.e. false): mock ‘turkey’ (made from lamb) and mock ‘cream’ and ‘marzipan’.  Make-do-and-mend presents were the order of the day; magazines printed instructions for knitted slippers and gloves, brooches made from scraps of wool, felt or plastic, and embroidered bookmarks and calendars.

Mending threads

Vintage mending threads

Christmas 1944 was probably the least joyful of the entire war. People had hoped it might be all over by Christmas, after the Allied Normandy invasion of June,  but mid-December saw the Ardennes Offensive with thousands killed on both sides. German air attacks (now V1 and V2 rockets) began in June, with 30 hitting England on Christmas Eve. One surprise benefit of the pilot-less doodlebugs was that blackout restrictions could be lifted, so churches lit their their stained glass windows for the first time in 4 years. DIY gifts were once again a necessity; the book Rag-Bag Toys gave instructions for making a cuddly pig from an old vest, and a doll from old stockings.

The unconfined joy of VE Day 1945 suddenly makes a lot more sense to me. I think I will be relishing my Christmas turkey and tree lights as never before this year!

The Museum of Bath at Work can be found on Julian Road (the Lansdown Hill end), tucked behind Christ Church.

 

 

 

 

 

 

 

 

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Sep 26

The Bath Brocante

On Saturday afternoon I wandered around the corner for a constitutional and happened upon a little corner of France here on the Eastern fringes of Bath.

Alice Park Brocante

Ooh la la! What a great poster!

The Bath Brocante is a new venture from antiques dealer Katherine Gilmore.

La Brocanteuse!

La Brocanteuse elle-même!

Katherine conceived this as a monthly outdoor event taking place during the relatively clement seasons of the British year. Brave Katherine! Happily, she brought rather a lot of jauntily buntinged canvas along with her too, though in the event the weather turned out to be surprisingly kind; it didn’t rain and was actually warm! So much so that Katherine hardly needed her beautifully embellished tweed jacket at all (which I had to take a close-up of because it was officially adorable and I am nothing if not fixated by such details, especially when they include Liberty fabric. Katherine is probably issuing a restraining order as I type…).

Revamped jacket detail

All the occasion needed was a little music – like this, perhaps (please be patient as it doesn’t play until 21 seconds in) — and maybe the relaxing clink or two from an adjacent boules game? I’m sure these could easily be arranged.

Brocante bunting

If you like what you see, The Bath Brocante series next year will run on the 2nd Saturday of the month (remember the formula, folks!) from May onwards. Do contact Katherine if you’re a French-inspired trader or maker interested in booking a 2012 stall. The brocante’s blog is over here, or you can email Katherine at this carefully disguised spam-defying email address: gilmorekatherine AT hotmail DOT com.

Bath Brocante cushions

Jaunty cushions made from vintage textiles

A bientôt, mes amis!

 

 

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Sep 21

Harris Tweed Centennial

There’s a decided nip in the air these days which is driving me to winterise my wardrobe. The boots are back on, and I’ve ferreted out my trusty brown & cream window-pane check Harris tweed suit from the darker recesses of the cupboard.

Harris tweed, justly dubbed the champagne of fabrics, happens to be celebrating 100 years of its anti-counterfeit Orb trademark this year*. It has the distinction of being the only fabric in the world governed by its own Act of Parliament: the Harris Tweed Act 1993, stipulating that it must be handwoven on the island of Harris at the home of the weaver. In fact, it’s the only handwoven fabric produced in commercial quantities. This explains why it retails at a hefty £75 a metre.

Harris Tweed orb mark

100 years of the Harris Tweed orb mark

Expensive it may be, but it’ll probably outlive you. My Harris tweed suit came from Jigsaw about 15 years ago and has remained completely  impervious to the elements, moths etc.

If you have a need for tweed, why not enjoy this footage of Glasgow’s first Tweed Ride which took place on 7th August? Don’t they look stylish?

The Harris Tweed Ride from Jamie Vincent Gillespie on Vimeo.

Or, how about a map for the tweedophile in your life? Admittedly it’s of an area some distance from Harris. And the name ‘tweed’ doesn’t actually derive from the River Tweed at all, being an unfortunate nineteenth century misreading (allegedly by a London cloth merchant) of ‘tweel’, the Scottish for twill.  Ah well. Close enough for rock ‘n’ roll.

Tweeddale

1959 Bartholomew's map of Tweeddale

* for fellow nit-pickers, the orb trademark was granted in 1909, registered in 1910 and started being stamped on cloth in 1911.

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Aug 04

In Elysian fields

Elysian pattern, Liberty

Elysian pattern display board, NT Collier Campbell exhibition

This is a little story about serendipity. Just before nipping home after the Vintage Festival on Saturday, a friend suggested I go see a free Collier Campbell exhibition currently on display at the NT. Timed to celebrate the 50th anniversary of two sisters’ design partnership (established in 1961 with commissions from Liberty of London), the exhibition contained beautiful pieces of original gouache artwork from the archives, plus examples of the final fabrics. What bliss!

I can’t go further without first confessing my ignorance. I’d heard of Collier Campbell, but didn’t realise the name referred to a pair of designing sisters, Susan Collier and Sarah Campbell. I knew that the name was behind one of my favourite Liberty patterns (log-cabin-ish Kasak, which used to grace the cafe tables at Liberty’s London store, and with which I  bonkersly covered the seats of my 2CV to celebrate passing my driving test). But I was truly delighted to discover at this expo that the pair were behind Elysian, one of my all-time favourite Tana Lawn designs.

Elysian

Elysian in some juicy colourways

Now, Elysian is the queen of florals, if you ask me, managing to be delicate but in yer face at the same time. But now I’m confused, because a quick google of ’Elysian’ ‘Liberty’ and ‘Collier Campbell’ didn’t dredge up anything meaningful. And Liberty’s own site claims that Elysian was designed in the ’20s. Elsewhere it’s described as ‘at least 100 years old’. Did the sisters design it from scratch or maybe rework it? If anyone happens to know more, please leave a comment or get in touch because I’m burning with curiosity.

The exhibition made it clear that the sisters have prided themselves on being jobbing designers, anonymously bending their talents to the needs of of the customer, whoever that might be (they’ve worked variously for Liberty, Yves Saint Laurent, Cacherel, Jaeger, Habitat, M&S, House of Fraser). Their delicious sense of colour and exuberance of line has taken much inspiration from folk art. Sadly, Susan Collier died in May, after the exhibition was instigated but before it opened. But Sarah continues the pair’s work, and you can buy Collier Campbell branded products over here and currently at House of Fraser and M&S.

The exhibition was scheduled to end on 10th July so I’m not sure why it was still up last week. If you’re hoping to see it, it might be best to call the National Theatre first to check if it’s still there. I’m beginning to wonder if it was just a figment of my imagination: a Southbank mirage on a hot July day.

2011 Aug Minolta 006

As beautiful as it is mysterious

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Aug 03

All vintaged out

Barley, upcycling workshops curator

Mollie Makes... vintage strawberries

Heavens to Betsy! What a busy time we had at the big Vintage Festival in London! I haven’t been this exhausted in a long while, but it was worth it. Having packed everything up carefully for the courier Thursday, it was a relief on Friday to discover that it had all arrived intact, including the old family Singer featured here.

Vintage strawberry-making

Darling Buds to darling berries

Highlights: meeting the particularly wonderful crafting community on the upcycling workshops floor, especially curator Barley Massey of Fabrications, the Seaside Sisters, and Caroline from the Shoreditch Sisters WI; meeting so many of the Future Publishing craft publications team too, including the lovely Lyndsey (who seemed very familiar, and it took me a little while to figure out why);  seeing Wayne Hemingway in the flesh, from afar; being spoken to – very, very briefly – by TV’s Linda Barker (you know, the salt to Laurence Llewellyn-Bowen’s interior design pepper in the ’90s) from a-near [She is astonishingly tall and Amazonian, btw, and I felt just like a hobbit next her]; soaking up the fabulous swing music on the Saturday, especially the Czech orchestra whose name escapes me; seeing so many gorgeously turned-out vintage guys & dolls. There were more Horrockses frocks than you could shake a stick at.

2 vintage strawberries!

A pair of vintage strawberries!

In terms of strawberry-making, it was absolutely crammed and we ended up having to turn people away from the Mollie Makes table. We were filling large strawberries with lavender, and smaller ones with sharpening grit. For authenticity, I brought along lots of red satin: the preferred fabric for strawberry emeries of old. Some stunning strawberries were made, my favourite being the one below – tiny and delicate. You can see a selection over here on Flickr.

Possibly my most gratifying moment was when two guys (accompanying their strawberry-making girlfriends) embarked on extravagant red satin numbers themselves, and (even more gorgeously) one tutored the other because I was fully engrossed with workshoppers on the other side of the table. How brilliant! They both made very creditable strawberries, and both claimed to have enjoyed the experience, though I can’t see either of them volunteering to make a second one any time soon. But maybe it goes to prove that strawberry emeries reach the parts other craft projects cannot reach.

Truly beautiful vintage strawberry

Delicious tiny satin strawberry created by a former doll-maker.

I had a brief opportunity to explore the market outside, which was free entry to all. It was great to clap eyes on my It’s Darling! friend, Catherine Stokes, selling her china tea sets. And I got very excited by the Furniture Divasreupholstered chairs, especially the ones using melted-down kiddy-wellies to line the seats. They looked just like abstract oil paintings! So very cool.

Welly chair

Welly chair by Furniture Divas

Welly seat

Welly chair by Furniture Divas

Now I’m catching up on all the jobs I’ve been ignoring lately while riding the strawberry wave with Mollie Makes. If you’re waiting for something from me (an invoice/an article/payment/a submission/a response to a request to run a teaching workshop etc) now might be a good time to shoot me a quick email as I’m relatively footloose and fancy-free! Catch me while you can.

Vintage strawberries!

Happy strawberry-makers

Oh, and something exciting happened just before I headed home Saturday. But that will have to wait until tomorrow…

 

 

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Jul 18

Mama’s got a brand new peg bag

I had a busy time at the It’s Darling! Vintage & Artisan Fair on Saturday in Bath’s Guildhall. It was good to see so many ID! regulars and old friends, both stallholders and visitors alike (including Faith of Something Fabulous, and Shirley who generously donated me various old sewing bits & bobs which she doesn’t need any longer). It was also a pleasure to meet new people (such as Susi, who kindly featured me there on the Brunel Broderers blog, helpfully mentioning my stitcher’s beeswax – it works, by the way!).  I was very happy to see that Abby Harris of Bubs Bears made it (despite feeling very poorly indeed last week) and that she brought this ticking peg bag with her…

Peg bag

…which I made sure she didn’t have to take home with her again. I’d eyed it up at the spring It’s Darling! and admired Abby’s meticulous workmanship, then kicked myself for not buying it. Incidentally, you might be interested to read Abby’s My First Sewing Machine interview over here. Sorry about the quality of that picture; when it hasn’t actually been raining it’s been dull and overcast in Bath today. There were many other lovely things at the fair too, some of which I hope to mention another day.

 

 

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Jul 12

It’s Darling! Summer Spectacular

It's Darling! summer fair 2011

 

 

It's Darling! summer fair flyer back

I’ll be at the It’s Darling! vintage & artisan fair again this summer on Saturday 16th July, bringing my specially selected batch of Scrapiana vintage haberdashery, textiles, handmade items etc. Oh, and lots and lots of strawberry emery grit, just in case you’ve got a yearning to make your own vintage strawberry needle-cushions (as featured in Mollie Makes magazine). Last summer’s It’s Darling! event was the very first of its kind, and the fair is really going from strength  to strength. I hope I’ll be sitting next to the lovely Faith Caton-Barber again (and her glorious bespoke wearable Something Fabulous creations). I’ll be featuring Faith in greater depth on the blog very soon.

If you’re planning a day (or even a weekend in Bath), don’t forget that there’s a new exhibition of film costumes (Dressing the Stars) opening at the Fashion Museum, Marilyn’s costumes are still on show at the American Museum, and the Roman Baths are open till late (10pm in July and August – last entry 9pm). Hope to see you on Saturday!

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Jul 07

Larkhall strawberry workshops special offer

I’m told that I have many wonderful qualities. However, organising last-minute summer crafting workshops appears not to be one of them. It was a bit of Herculean task, I’m now realising. Let’s just say that the bookings haven’t flooded in as hoped and I’m left with the prospect of being almost alone at two workshops over the next week or so. I’m fine once I have my punters (we just fly along, rattling out strawberries like billy-o) but the bookings element has beaten me, fair and square.

As featured in Mollie Makes

A desperate remedy is required and mine is to slash the price of my New Oriel Hall (Larkhall, Bath) workshops on Saturday 9th and Wednesday 13th July to anyone who has liked my my Facebook page. Just go click ‘like’ and then send me an email (eirlysATscrapianDOTcom) with 50% LIKE workshop discount as the subject line and your name/phone number in the email. Don’t forget to specify which morning session you’d prefer to attend and I’ll get back to you ASAP to confirm. Wow! It’s that simple! Who-da thunk it would be so easy?

You might want to make a daytrip of it, do strawberries in the morning and shop or visit one of the city’s museums (the Roman Baths — shortlisted for this year’s prestigious Art Fund Prizethe Fashion Museum, the American Museum, for example) in the afternoon. The Roman Baths are also open late through July and August (last entry 9pm for 10pm closing) and are quite magical in the fading light.

I will not be doing short-notice workshops again (lesson learned) but will announce some autumn ideas very, very soon to give everyone time to sort out their diaries and make proper plans. Crafting treats really should not be rushed.

PS If you’re in Bath on 24th July, I’m scheduled to be strawberrying at the very  luscious The Makery in Walcot (complete with cream tea spectacular!). And I’ll soon be able to reveal an exciting London strawberry gig at the end of the month too: a must for vintage fans.

 

 

 

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Jun 20

Scrap of the week #15

Feedsack strawberries

Feedsack strawberries

This is a gorgeous original American feedsack strawberry print (have you noticed I like strawberries yet?) from Becca Gauldie. I’m afraid I’ve already snapped this one up, but Becca has a whole lot more. I don’t intend to do anything with it for now: it’s an entire feedsack, not just a teeny scrap, so there’s plenty to play with, but I really haven’t found the right project for it.

And thinking about strawberries in June inevitably leads my thoughts to tennis. Will you be watching Wimbledon this year? My viewing will be restricted to edited TV highlights only, alas. One of my friends has lucked out in the ballot and actually won tickets for the men’s final! I’m sure I could fit in her handbag if I try. Who will you be rooting for to win? Have you ever been to Wimbledon? Did you sample the strawberries and cream while you were there? Rub shoulders with any tennis stars? Please share your summer tennis stories! I love ‘em!

 

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