Category: Bath places

Mar 28

Shaping Victorian Bath

 

20170310_150819000_iOS

 

I’m late plugging this, but you may be interested in a story I dug up and wrote that was happily featured on the front cover of March 2017’s The Bath Magazine. It recalls what you might call a Victorian corset entrepreneur, a German emigré named Charles Bayer, and the factory he built in Bath 125 years ago. Originally called the ‘Albion Stay Factory‘*, it was a huge success and helped turn around the city’s then slightly dwindling fortunes.

The monumental Bayer building still stands on South Quay, not too far from the railway station. So, if you’re interested in garment history and happen to be in Bath, do wander down and take a look at it – at least from the outside; it’s still occupied by businesses today – though none of the garment-making variety, as far as I know.

And if you happen to be a Bathonian and worked in (or know/knew someone who worked in) the old corset factory, then the Museum of Bath at Work would be delighted to hear from you. The factory closed 35 years ago  (1982), producing foundation underwear right up until the very end, and the museum is collecting and recording recollections of former Bath garment workers as part of its ongoing oral history project.

My grateful thanks to the wonderfully helpful local historian at Bath Central Library (which is currently at the centre of a campaign to keep it in the purpose-built location that so many Bath residents know and love) for digging out a load of old press clippings for me – plus the 1930s brochure mentioned in the article – and also to the Fashion Museum, Bath for allowing me to study a handful of WW1-era Bayer corsets that they happen to have in their collection – which will have to wait for another post to get their airing.

Anyway, here’s the article. Enjoy!

 

*on the eve of the triggering of Article 50 and Britain’s imminent departure from Europe, that’ll be my wistfully subtle Brexit link for this post

 

0
comments

Mar 27

Darning 101

 

 

I’m really happy to be offering one-off introductions to darning called ‘Darning 101’ at A Yarn Story in Bath. We hope to make this workshop a regular fixture, so if you’ve been meaning to find out how to repair the holes in your socks (or elbows), one of these would be a very good place to start.

We have three dates set up so far, all Sunday afternoons, on 2nd April, 4th June and 2nd July. More details here.

If you’re not familiar with A Yarn Story, it’s based in Bath’s artisan quarter, Walcot, and sells the most beautiful selection of small-production fine yarns. It also offers a range of crochet and knitting classes for a range of abilities. Carmen, the owner, is incredibly knowledgeable, nice and helpful too. Well worth a visit.

 

Darning 101 Workshop, A Yarn Story

Darning 101 Workshop, A Yarn Story

 

0
comments

Aug 13

#heartstrings

 

June’s events here in the UK made pretty tough going. In our dejection at the state of the world, the regulars at the Big Mend came up with an idea: #heartstrings. We wanted to do something positive – something to celebrate connection, unity and diversity in our city – rather than sowing more division or wallowing in despair. We needed to find a way to take heart.

 

#heartstrings

The term ‘heartstrings’ originally described the nerves or tendons formerly believed to brace and sustain the heart. But it also refers to our deepest feelings of love or compassion. And ‘to hearten’ is to make more cheerful or confident.

 

heartstrings-close-up-image-with-name-on-heart

 

All senses held resonance for us. We wanted to join Ruth Singer in her healing idea of yarn-bombing racially or culturally sensitive parts of her locality with fabricated hearts – to craft for solidarity, as she has coined it, inspired in turn by the hashtag #randomactsofequality on social media.

Then we heard about the safety-pin campaign, a tacit way of displaying in public that one is ‘safe’ (tolerant and supportive) to anyone who might be feeling vulnerable or threatened. So, let’s join them together, we thought: solidarity, unity, community demonstrated in crafted hearts that are linked shoulder to shoulder. It all seemed to tie together.

 

heartstrings-alison-bedecking-the-hanging-tree-in-abbey-green-bath-july-2016

 

 

 

Embracing the city

So, in July we started making up #heartstrings at Protestival in Green Park Station, then had a session at the One Two Five Gallery in Abbey Green (see above). As our #heartstrings began to grow, we felt that we were metaphorically hugging our city with hearts – you can see Alison above, literally yarn-embracing ‘the hanging tree’ in Abbey Green – a tree with a troubling history as the location of the city’s public executions. 

 

Join us!

We’ve found that people really like the #heartstrings idea and want to get involved. Can you help?

We’ll really need your heartsindividually made or linked into strings. Hearts can be crafted in any material and method, any colour, embellished however you like. Just aim for them to be about the size of the palm of your hand, if possible. Follow any crochet or knitting pattern you like. You can simply cut hearts out of felt or fabric – a cookie cutter is a useful aid, if you don’t want to draw freehand. And please personalise your hearts with words, slogans, objects – whatever you like. We’d also welcome donated materials or safety pins. 

 

When and where?

We’ll be making #heartstrings at all the Big Mend mending sewcials over the coming year, and will arrange for periodic #heartstrings yarn-bombing of local landmarks, with a big city-crossing link-up on the first anniversary of the referendum in the third week June 2017But we’ll need your help to eventually cross the entire city of Bath with little linked #heartstrings!

 

If you’re in Bath, please come to two August events at which we’ll be creating heartstrings:

One Two Five Gallery‘s first birthday party in Abbey Green, Bath on Sunday 14th August from 3-5pm 

A Yarn Story in Walcot, Bath on Thursday 18th August from 7pm

 

By post 

You can drop off or post your hearts, strings or material donations to the Museum of Bath at Work at Camden Works, Julian Road, Bath, BA1 2RH or the One Two Five Gallery in Abbey Green, or A Yarn Story on Walcot. Please attach a label to your hearts telling us who you are and preferably with a contact name/number/email. Thank you.

 

On social media…

If you’re on social media, feel free to share your own images/selfies with your hearts or #heartstrings, wherever you happen to be in Bath or beyond.

 

 

 

 

 

0
comments

Apr 26

The big mend’s 4th birthday

 

 

 the big mend[2] copy

 

 

It’s hard to believe that the monthly mending sewcials I kicked off in Bath four years ago are still going strong. We’ll be celebrating, true to form, with a spot of mending on Wednesday 27th April 2016 from 7-9pm.

Thanks to all the people who’ve come along to the Big Mend sessions over the years, especially those who have picked up the pieces and kept it going when I couldn’t (notably Alison, Annie, Su, Lizzie, Divya, Kathy and Hannah) and to the Museum of Bath at Work for generously allowing us use of their wonderful space every month without fail.

We must have repaired approximately 500-1000 garments and household textile items over the years, but have nurtured skills that must have saved many more textiles from the waste stream as the repair know-how has spidered out into local hands and households.

 

the-big-mend-a-repair-sewcial-in-progress-at-the-museum-of-bath-at-work

One of our repair sewcials in progress at the Museum of Bath at Work

 

Why has it kept going? I can’t exactly say, but people seem to want it and to value its esprit de corps. The sessions, I’ve noticed, provide a contained space where the cultural norms of consumption, ‘fast fashion’ etc don’t apply. In contemplative, collaborative, purposeful activity, we sit and repair, share skills and news and put the world to rights. It feels like a very old activity – and it must be. I’ve just written a piece for Selvedge magazine (issue 70, May/June 2016, the Delicate issue) exploring some of the history of mending. For that, I included evidence of mending from antiquity, and even pre-history. And it makes sense that the act of repair must be about as old as the hills and as ancient as sewing itself. Because making and mending are like chicken and egg; when early man/woman first stitched a pelt together with sinew and thorn needle to make it stay on that little bit better (creating a ‘garment’ rather than just a piece of animal skin), was that not technically a repair? Or an upcycle, at least. Discuss.

 

Flash mend event

Flash mend event in Waitrose

 

What have we achieved? At the Big Mend, we’ve contemplated our place in the world and how we’re connected by a long thread to all the people who make our clothes. We’ve considered what repair means to us – how it preserves objects that make us feel good, how it prolongs the wearable life of our clothing and demonstrates our resourcefulness and resilience. We’ve discussed whether we want our repairs to be visible – conspicuous even – or not and what wearing something with an evident repair says to others. We’ve made a stand against the brutality of ‘fast fashion’ – well, we’ve wandered around the city with our clothes inside out for Fashion Revolution Day, held ‘flash mend’ events and spoken to local people and retailers about inhuman factory conditions. Some of us have given up most of our clothing for a while to raise money for garment workers. We’ve planned a project to work with the city’s students on textile waste reduction (which, sadly, didn’t win funding) and taken part in numerous local open days and public-facing events. Now we tend to stick to the monthly meetings only, because we aren’t funded in any way, so the entire venture is one of generosity and open-handedness and has to be dovetailed in with our own demanding lives. I would do more, if I could afford to, but I can’t. However, the monthly session on the final Wednesday of the month is treated as sacred – not to be messed with unless medical emergency or a clash with Christmas absolutely prohibits it.

So, on we trundle. A fourth birthday sounds like a good opportunity for a game of Pass the Darning Mushroom or Musical Mannikins, but instead I’ve arranged for a visit from local tailor, Ben of City Tailors. He will be spilling the beans on some of his professional repair secrets. I’m looking forward to seeing some hard-won artisanal textile skills in practice – probably rather more deft and invisible than most of ours. Join us, if you can. Everyone is, as ever, very welcome to attend. All we ask is a small donation to help towards museum costs. So, please grab a tired textile to bring along and we’ll do our best to help you revive it.

 

0
comments

Apr 13

Hatched, Matched, Dispatched – & Patched!

 

 

The American Museum

The American Museum wakes up for another season

 

‘Hatches, matches and dispatches’ is old newspaper slang for the births, marriages and deaths columns. You’ll also hear it used to refer to baptisms, weddings and funerals, the corresponding services offered by the Church. Now the American Museum in Britain, located idyllically on the southern outskirts of Bath, has tweaked the term for its latest exhibition, Hatched, Matched, Dispatched – & Patched! This exhibition, which runs through the year until 1st November 2015, brings together textile artefacts interwoven with life’s great rites of passage. And, as plenty of those textile items have been created using patchwork (and the museum has a fine permanent quilt collection), that’s where the ‘patched’ comes in.

Some artefacts have also been borrowed from exhibition partners the Beamish Museum, Jersey Museum and Art Gallery, the Quilters’ Guild, and Jen Jones’ collection in Wales, and so the sourcing reflects a mixed provenance from both the United States and the British Isles. But it’s the cross-cultural universality of the human condition which draws them all together, and there are plenty of poignant human-interest stories behind these objects, as curator Kate Hebert explains: ‘the personal and sentimental connections, the stories of the individuals that are linked with these objects, are what I have found so moving.’

I went along for the press launch early last month when spring was still struggling to assert itself and the banks of daffodils were only just beginning to open outside in the beautiful grounds. But there was plenty of stitched brightness and vitality to view within the exhibition. Here’s a taste of what I saw.

 

Hatched, Matched, Dispatched - & Patched!

Hatched, Matched, Dispatched – & Patched! poster

Glad rags

Life’s big milestones are usually associated with looking your best,  so it makes sense that many of the textile objects featured in the exhibition are items of clothing (a subject I was possibly over-engaged with when I attended as I was in the middle of a ‘fashion fast’ – more of that in another post). Christening gowns, christening bonnets, baby slippers, bridal gowns and shoes, black clothes worn when an official period of mourning was enforced, even clothing worn by the dead to be buried in – modern day grave goods, you might call them – feature here.

The displays are subdivided into three grouped sections (‘Hatched’, ‘Matched’ and ‘Dispatched’), but I’ll dot back and forth between them for this post.

In the ‘Hatched’ section cascades of handmade broderie anglaise in a row of Christening gowns caught my eye. The christening gown took over when swaddling fell out of favour in the eighteenth century. Then gowns became longer and longer, an opportunity to display one’s wealth and status in the finest detail, all located at the front, of course, where it could be shown off. In a cabinet of baby bonnets, I spotted a cap with the tiniest imaginable white French knots – alas, my phone wasn’t up to capturing them. I was also drawn to a pair of 1930s silk baby slippers with padded soles worked very effectively in a hatched trapunto pattern of quilting, using coloured yarns which were just visible through the silk.

 

Christening robe, c. 1890 c/o Jersey Museum

Christening robe, c. 1890 c/o Jersey Museum

 

One of the wedding dresses on display was worn in 1887 by Agnes Lucy Hughes, the first mother-in-law of Wallis Simpson.  But most eye-catching is the daffodil dress (see below) embroidered by Henriette Leonard for inclusion in her bridal trousseau around 1892. Tragically, Henriette died before she was able to wear it; her brother persuaded her to take a tour of Europe shortly before her wedding, and during the trip she took ill with the flu allied with ‘nervous exhaustion’ and died. The pristine condition of the dress suggests that it was never worn and got packed away as a family memento.

Daffodil dress. Image c/o The American Museum

Daffodil dress. Photo credit: the American Museum

 

Sad rags

In the ‘Dispatched’ section there’s quite a bit of mourning garb, much of it nineteenth century and frequently featuring jet. As a Victorian female mourner observing a strict code of mourning etiquette, your yards of black crepe would be held together in part by ‘jet pins’ (actually ‘japanned’ or enamelled metal) so as not to allow the unseemly glint of frivolous silver caused by a regular steel pin.

Jet pins

Jet pins

 

Strict observance of an official mourning regime in Britain appears to have been relaxed during the Great War. Then the massive death toll in the trenches would have required so many to wear mourning garb that civilian morale would have been too sorely tested.

There’s a tradition in Wales of knitting stockings to be worn after death. Similarly, some women quilted skirts to be buried in. The late nineteenth century Welsh skirt below is a rare survival, made by two sisters who somehow left it behind when they moved house.

 

Welsh quilted burial skirt, nineteenth century, courtesy of Jen Jones

Welsh quilted burial skirt, nineteenth century, courtesy of Jen Jones

Quilts

Finely detailed items to adorn the home have often been made in response to a birth, stitched by a young woman in anticipation of her marriage, or by a mourning widow to mark the sorrowful departure of her life’s partner. The American Museum is justly famous for its quilt collection, and you get a chance to see a few of their gems showcased here in this exhibition.

 

Ellen Bryant's 1863 log cabin quilt

Ellen Bryant’s 1863 log cabin quilt

 

One of my favourites is the stunning log cabin top shown above, pieced around 1863 by Ellen Bryant in  preparation for her marriage in Londonderry, Vermont.  Over three hundred log cabin blocks (each 4 and a half inches square) have been arranged in a variation known as ‘barn raising’ or ‘sunshine and shadow’. This eye-popping quilt has an even more intricately pieced backing created by Ellen’s sister, not finished until 1886. Evidently the resulting quilt – a sororal labour of love – took over two decades to complete.

And another favourite from the permanent collection is the Christmas bride. The appliqued holly leaves have faded over the years, as greens tend to do, but the red berries and festoons remain surprisingly bright. Insider tip: you may still be able to find a tea towel bearing this design in the museum shop.

 

Christmas Bridge appliqued quilt

Christmas Bride appliqued quilt

 

With my interest in mending, I was glad to see Bertha Mitchell’s quilt, made from dress and furnishing fabrics to celebrate her sister’s wedding in 1899. Bertha worked as a seamstress, repairing clothes in Keswick Boarding School.  You’ll find a close-up picture of that quilt over on my Instagram feed.

A very special cot quilt is featured here, on loan from the Quilters’ Guild, but unfortunately I didn’t get a photo of it. It’s the earliest piece on display (1700-10) and is a white, whole-cloth quilt, densely quilted by hand.

There are also a few mourning or memorial quilts on display, a couple dating from the American Civil War era (see ‘Darts of Death’ on my Instagram feed).

 

Poignant needle

And then there was possibly the most moving item of all, a simple embroidered tablecloth – its very ordinariness adding to its poignancy. The signatures of female friends and American servicemen stationed at Cheltenham during the months leading up to D-Day are partly embroidered. But some remain in the pencil. Helen Slater, the embroiderer, was working them in a variety of bright colours, but she stopped part way through one signature, and her needle remains lodged in the fabric. She couldn’t bring herself to finish the project after she heard that her fiancé, Jack Carpenter (his name embroidered in red) had been killed in action. She put the cloth away with a book (The Rubaiyat of Omar Khayyam) that he’d given her just before he left for the D-Day landings, and she cherished them both for 70 years until her own death.

Embroidered tablecloth, World War II

Embroidered tablecloth, World War II

Postpartum pincushions

I like a nice pin or several and so made a beeline for a couple of exhibits featuring pins. For the diehard haberdashery enthusiast, besides the jet pins mentioned above there’s the museum’s own 1821 baby-welcoming pincushion made of silk and steel pins. This pincushion, which has just been restored (the silk had shredded and the stuffing been lost), reminded me of a couple in the 2010 V&A exhibition of quilts, though those were dated a little earlier. Pincushions with elaborate patterns and phrases marked out with pinheads were popular gifts for new mothers. However, it was considered bad luck to gift such a pincushion before the birth, as that might sharpen the pains of labour. The museum notes explain that in colonial New York, births were announced by hanging pincushions on door knockers – a practice which apparently fell out of favour after the safety pin was invented in 1878.

Welcome little stranger pin cushion

‘Welcome little stranger’ pin cushion

 

Tonsorial textiles

Grim though they might sound to us today, mourning rings made from the deceased’s hair were popular on both sides of the Atlantic during the nineteenth century. The eagle-eyed visitor to this exhibition will spot fascinatingly intricate rings and brooches delicately woven from human hair. I didn’t get a good shot of them, sadly, as that part of the exhibition was dark, but do look out for the rings ingeniously formed to resemble tiny buckled belts.

There’s a lot more to see than I can show you here, but you can find a few more images over on my Instagram feed. And let’s not forget the person who put it all together: Kate Hebert, new in post as the American Museum’s curator. Congratulations, Kate!

Curator Kate Hebert

Curator Kate Hebert

 

Finally, a quick update on last year’s immensely popular Kaffe Fassett exhibition. I’m reliably informed that there is now a permanent Kaffe boutique at the museum, so whenever you time your visit you can always get your fix.

 

Hatched, Matched, Dispatched – & Patched! runs till 1st November 2015 at the American Museum in Britain, Claverton Manor.  There will be a talk by Edwina Ehrman, Curator of Fashion & Textiles at  the Victoria & Albert Museum, this Thursday 16th April 2015. Check out the museum’s website for other associated events.

Running alongside this exhibition is Spirit Hawk Eye, a celebration of American native culture through the portraits of Heidi Laughton.

4
comments

Dec 31

What 2014 has taught me

 

Here, in no particular order, are some things I’ve discovered in 2014:

1.

That very serviceable lotions and cosmetics can be homemade from nothing more than wild flowers, cooking oil (I used sunflower oil), beeswax and an old enamel bain-marie. Thanks to herbalist Zoe Hawes and Alice Park Community Garden for this revelation. I’m still using the Elderflower and Calendula lip-salve made at your workshop, Zoe, and it’s brilliant stuff. Homemade cosmetics and natural beauty products are definitely the way to go.

Elderflower and Calendula

Elderflower and Calendula

 

 

2.

That you can make yourself a really sturdy plant support from indigenous hazel branches and willow, provided you keep the pre-soaked willow sufficiently damp, and possibly cheat with the judicious application of cable ties. Thanks to Annie Beardsley for this new knowledge, and to APCG again.

Making plant supports at Alice Park Community Garden

Making plant supports at Alice Park Community Garden

 

3.

That you can make a perfectly functional barbecue from a large terracotta pot, a couple of bricks, some chicken wire and a discarded rack from a broken microwave. I had all these things lying around and pressed them into service on my allotment for Midsummer’s Eve. Look! It cooked chicken! 

 

An old flower pot, some bricks and a rack from a broken microwave.

An old flower pot, some bricks and a rack from a broken microwave.

4.

That even I can grow yellow courgettes, ruby chard, tomatoes, leeks, garlic, and sweet dumpling squash from scratch.

Grown on my allotment.

Grown on my allotment.

5.

That if you post a picture of your rear end in inside-out jeans on Twitter for Fashion Revolution Day, the sight might well collect 17,000 views. Blimey…

Rear-end selfie in inside-out jeans - all for a good cause.

Rear-end selfie in inside-out jeans – all for a good cause.

 

6.

That it’s possible to stop traffic on the A4 through central Bath wearing inside-out clothing. Nuff said.

 

7.

I hate to bang on about this, but I’ve found that it’s still possible to attract wolf-whistles when you’re 49. And I mean when not dressed provocatively or in inside-out clothing but, ironically, with minimal grooming: I’m down to an annual haircut, and you’ve already read about those homemade budget-beating cosmetics. This positive attention seems to be happening more of late but I suspect that some people might just need their eyes testing. Though one of my best friends has paid me the compliment of describing me as ‘like a teenager with wrinkles’. Please bear this in mind, all you TV producers; you’ll find my contact details in point 10.

8.

That it’s nice to make people happy, but that you certainly can’t please everyone so may as well stop trying. Do what you feel is right and ignore those who just don’t get it. There will be plenty.

 

9.

That if you require someone to knit a sweater for a real live Jersey cow, I’m a very good person to ask; I may not be able to do it myself but have all kinds of useful connections in the craft and making world. I was delighted to be able to connect the wonderful Send a Cow charity with the equally wonderful knitter Elise Fraser in Bristol (whom I met at the beginning of the year thanks to the Briswool project). And what a glorious jersey Gloria wore!

 

10.

That one might be asked to front a national BBC TV show, to write a book, and also to produce a regular column for a national craft magazine, but none of them may pan out for a host of painful and highly annoying reasons. Happily, I’m currently still available and open to offers, but you’d better get in quick before the rush. You might want to check out my professional website and contact me there to discuss any potential projects. I’d love to hear from you.

 

11.

That I can live without my beloved little car, the cuticle (‘cute’ + ‘vehicle’). Farewell, my little white Fiat! You are gone but not forgotten.

The cuticle always raised a smile.

The cuticle always raised a smile.

12.

That cycling is probably better for keeping me and my legs in shape anyway. And I love it, most of the time (barring uphill, or in horizontal rain, or when carrying very much). Here’s Violet, bought when I was carrying some very precious cargo: my younger son Joe in utero; he turned 15 years old earlier this month, so the old girl ain’t doing so bad.

 

Back to pedal power.

Back to pedal power.

 

13.

That, imho, my youngest son is a rather fine graphic designer already. He was aged just 14 when he sorted out a logo this summer for the Big Mend. Now studying Art GCSE. Anyone need a summer 2015 intern for an art-related opportunity? Do get in touch.

The Big Mend logo plus coffee.

The Big Mend logo plus coffee.

 

14.

That the ‘free’ coffee for Waitrose customers is a very useful thing indeed, and that people seem to like doing their mending in such public spaces. Thank you, Waitrose, for being so accommodating and allowing us to land on you for World Environment Day! And a big thank you to our happy band of menders! You know who you are. The Big Mend has now been going for almost 3 years, astonishingly. I wonder where it will head next?

Flash mend event

Flash mend event in Waitrose

 

15.

That if you put enough pressure on a carbon life form, it may well become a diamond – eventually. It’s been a very tough year or so and the screws have definitely been on. But I’m wondering if a ‘diamond life’ might possibly be in store for me after all in 2015. I really do hope so.

 

Thanks so much for reading my all-too-infrequent posts here on the subject of mending, thrift, textiles etc. Take care and have yourself a very happy 2015.

 

16
comments

Nov 16

Support SecondhandFirst Week

 

 

SecondhandFirst Week

SecondhandFirst Week

 

Tomorrow (today if you’re reading this on the email feed) marks the first day of #SECONDHANDFIRST Week, 17-23 November 2014.

The week aims to encourage people to commit to sourcing more clothing and other resources second hand. It’s organised by TRAID, the charity doing tireless work to ensure sustainable and ethical practices in the clothing chain. It’s hoped that this will become an annual event.

Here in Bath, the Big Mend is delighted to be acting as a partner organisation, and we’ve arranged one of our Flash Mend events* in Bath Central Library on Monday 17th November. We’d love it if you’d join us any time from 1-4pm with some hand-held mending: darning would be ideal as we’ll be hoping to quietly impart mending skills to passing library users. If you’re in Bath and would like a quick darning lesson, come down and say hello, pick up a darning mushroom and try out some stitches with us.

Here are ways you can support the week:

 

Flash mend event

A Big Mend Flash Mend event

 

*Mass mending events in public places

 

 

 

4
comments

Nov 09

Kaffe Fassett at the American Museum

 

My blog is still on life support, but I couldn’t resist popping back to take you on a brief tour of the Kaffe Fassett exhibition at the American Museum, Claverton Manor, Bath.

I squeaked in at the tail end of October, just before it closed. Perhaps it’s cruel of me to tantalise you with images of the King of Colour’s show that you now have no hope of seeing, but maybe you’re far away and had no chance to visit anyway. Or maybe you got there and are happy to be reminded of your grand day out. Whatever the case, I hope you can enjoy these images. Did you catch the exhibition? What was your favourite area or thing on display?

This huge tree hung with pompoms and lampshades was really stunning. It was a magnet for small children: delightedly scurrying about beneath it, batting at the yarn balls.

Bececked tree at the Kaffe expo, the American Museum, Claverton Manor, Bath

Bedecked tree at the Kaffe expo, the American Museum, Claverton Manor, Bath

 

The pictures don’t do the original concept justice as the fabric on the shades had faded considerably over the 6 months of the exhibition. You have to wonder how long it took the team to set this up last March; I assume it was a cherry-picker job. It makes me want to do something similar (though on a much smaller scale) with this year’s Christmas tree, possibly even decorating a tree outside, for a change. How about you?

Pompoms and lampshades

Pompoms and lampshades

 

Here was a rendition of Kaffe’s studio, complete with painting area on the left.

Studio area

Kaffe’s studio

 

A blazing yellow area.

Cushions, cats and cardigans

Cushions, cats and cardigans

 

A tactile section.

Please touch! I appreciated this.

Please touch! I really appreciated this touch.

 

Glorious needlepoint.

Kaffe cabinet

Needlepoint cushions

 

Plenty of vegetation.

Kaffe veg

Vegetables and flowers

 

Some nods to items in the museum’s collection.

Early American portraits

Early American portraits

 

Beautiful neutrals.

Tumbling blocks

Tumbling blocks

 

And a wall of Kaffe quips and wisdom.

Kaffe quotation wall

Kaffe quotation wall

 

Meanwhile, back in the main house (Claverton Manor proper, rather than the modern exhibition building), there were a few Kaffe touches on display for the determined visitor. It was fascinating to see the spreads and colourway varieties for a selection of printed textile patterns – apologies for the quality of the image.

 

Design sheet

Design sheet

 

But I was really smitten by these quiet inked line drawings of the museum’s room sets. Kaffe is an old friend to the museum and worked these in the 1960s, when the museum was brand new. Astonishingly little has changed in those room sets (which illustrate America from its early colonial days). As a Penn Dutch girl by ancestry, I loved his rendition of the decorative tinware, particuarly that perky coffee pot. And how fascinatingly un-Kaffe is this absence of colour? – not to mention un-Penn Dutch.

 

Kaffe's early work for the American Work, 1960s.

Kaffe’s early work for the American Work, 1960s.

 

In the museum’s Penn Dutch room, the mass of highly decorated stuff can be riotously hard to swallow, but the beautiful folk-art lines of those plain tinware cookie cutters are delicious in their simplicity and always draw me back.

 

Penn Dutch artefacts from the American Museum

Penn Dutch artefacts from the American Museum

 

And then home

And then home

 

That’s all for now, though I’m hoping to be back here more regularly soon. Meanwhile, I’m now signed  up on Instagram and find that an interesting place to post. Please join me. 

 

 

 

7
comments

Jun 04

Green your wardrobe

IMG_8505

Tomorrow is World Environment Day. To honour the occasion, I’ve arranged a little ‘flash mend’ here in Bath to try to raise a awareness about where our clothes go after we’ve done with them. I’ve called it ‘Green your wardrobe!’

I was pretty shocked to discover that so many unwanted textiles here in Bath get tossed straight into our regular bins (9 out of 10) rather than into the green recycling boxes (just 1 in 10). All the more shocking as we generally have a pretty good record of recycling things around here. I don’t know how much clothing is donated to local charity shops, though I suspect it’s a huge amount; that would be really interesting to know.

I’m hoping that our little mending ménage tomorrow can underscore some of the many alternatives to plain old wasteful binning tomorrow, one being the loving repair of our well-worn textile favourites. If you fancy joining us, that would be wonderful. We’ll be at the top of the escalators in Bath’s Waitrose at 1pm. You won’t be able to miss us: we should be wearing something green and carrying magenta darning mushrooms! Bring along something to mend, if you can. The idea is that we will gently darn and patch around our cappuccinos, space in the cafe allowing. If it’s crammed to the gunwhales, we might adjourn to the library next door – for a spot of silent slip-stitching, obviously. We should be there till a little after 2pm so just pop in for a moment or two, if you can.

And here’s a two-sided poster I drafted for the occasion. Feel free to share, if you like. Click on the top right arrow if you need to print.

 

 

green your wardrobe poster

green your wardrobe

 

 

PS Yes, yes, I know that this isn’t the promised Clothworkers post. The fatal error is that nobody pays me to write this poor, bedraggled and neglected blog. But soon…

0
comments

Mar 25

Mend with Mother

 

 

Minolta DSC

Mend with Ma this Wednesday

 

The Big Mend this month will have a Mother’s Day theme. So there’ll be FREE CAKE for all mums this Wednesday 26th March at the Museum of Bath at Work, Julian Road, Bath7-9pm.

We’d also love it if you’d come along and share your mending memories with us. Memories of watching things repaired at mother’s knee, perhaps; memories of Granny darning, maybe. We will be beginning to record mending memories in our imaginatively titled Mending Memories Notebook and warmly invite you to add yours.

I’m aware that many of us don’t have mothers (myself included) but I hope that won’t deter anyone from coming; there’ll be FREE CAKE for motherless souls too… :*-)

If you are in or near Bath and haven’t attended one of the Big Mend sessions, here’s how it works. We always meet on the last Wednesday of the month to tackle whatever’s in our mending pile – or, at least, a small portion of it. Tools and materials* are laid on, as far as possible, though you might want to bring along matching thread, or the perfect button, if you’re picky about such things. Or your sewing kit, if you’re attached to your particular needles, sewing scissors etc. There’ll be advice and suggestions on how you might go about your textile repair, if you’re stuck. We don’t charge, as such, but ask a minimum £2 donation to help cover the museum’s costs.

The more is most definitely the merrier, so if you like the idea then please share this post with someone else who you think might appreciate it. Thanks. Oh, did I mention the FREE CAKE?

 

*we’re always happy to accept donations of sewing tools, haberdashery or scrap materials that we can use for textile repairs. If you have anything that you think might be suitable, please get in touch.

 

Related Posts Plugin for WordPress, Blogger...

5
comments

Socialized through Gregarious 42
make PrestaShop themes